Showing posts with label Fela Kuti. Show all posts
Showing posts with label Fela Kuti. Show all posts
Thursday, August 2, 2012
Push to preserve Fela Kuti's legacy 15 years after death
Nigerian musician Femi Kuti, son of legendary afrobeat musician and activist Fela Anikulakpo-Kuti, performs on stage with his children at the New Afrika Shrine in Lagos on July 29, 2012. Photo courtesy: AFP
BY M. J. Smith
LAGOS, Aug 3, 2012 (AFP) - The spirit of Fela Kuti haunts his old house -- the musician's colourful clothes in the bedroom, his shoes on a rack -- but the marijuana smoke, his many wives and his beguiling sax playing are long gone.
Thursday marked 15 years since the death of Kuti, the Nigerian Afrobeat musician who became a global icon thanks to his unique sound, his wild lifestyle and his harsh criticism of his country's corrupt military regimes.
He is far from forgotten, both here and in many places abroad, and his family has been working to further preserve Kuti's legacy, including efforts to turn his last house into a museum -- the reason his bedroom was left as is.
"It's gone beyond a Nigerian story," his son Femi Kuti, also a musician, said recently before taking the stage at the family's New Afrika Shrine club in Lagos. "It's gone beyond an African story. It's like jazz."
Kuti's legend has in some ways only grown since his death aged 58 in 1997 from an HIV-related illness, especially following a recent Broadway musical about his life that drew rave reviews.
His outsized personality and social activism made him a hero to many while he was still alive, and his funeral in the giant economic capital of Lagos drew massive crowds into the streets.
The saxophone player was a harsh critic of Nigeria's corrupt elite, lashing out in songs like "Coffin for Head of State" or "International Thief Thief", but with irresistible grooves that combined jazz, traditional music and other sounds.
His songs repeatedly landed him in trouble with the authorities, including arrests and the burning, allegedly by soldiers, of his compound, which he had christened the Kalakuta Republic and declared independent.
His original Shrine club where he regularly performed was shut after his death, but his family later opened the New Afrika Shrine at another location.
He was also known for marrying 27 women on the same day, most of them his dancers, and his love of marijuana was well-documented.
To some, echoes of his campaign for justice can still be heard in Lagos.
His name was invoked repeatedly during a national strike and mass protests in January over the removal of fuel subsidies, which caused petrol prices to double.
President Goodluck Jonathan was eventually forced to partially reinstate the subsidies.
Seun Kuti, another of Kuti's sons, played politically charged concerts before thousands at the main protest site in Lagos. Femi and his sister Yeni Kuti also helped lead rallies there.
For Kunle Tejuoso, who runs a record label as well as a bookstore and music shop that caters to Lagos intellectuals, Fela Kuti was "bold enough to shout out and use music as a weapon against a very, very vicious system."
Kuti was raised in a middle-class family and studied music in England, but was able to connect with ordinary people even after his fame grew, Tejuoso said.
"He stuck to the basics, he stayed with the people, and I think he was immersed in his music," he said at his store, which sells framed photos of Kuti.
'Be with the people'
"And to get to that music, you have to be with the people. In order to get the message across, you have to understand what they're saying."
Asked whether his father's legacy had more to do with music or social activism, Femi Kuti said they were equally important.
"You cannot forget the fight for social justice, making, especially, Nigerians aware of their predicament," he said.
Nigeria is Africa's most populous nation and largest oil producer, and is often ranked as one of the world's most corrupt countries. It was ruled by successive military regimes before a return to civilian government in 1999.
But it was not only Nigeria's leaders that concerned Kuti. Femi points out that he was also intent on speaking out against the injustices of colonialism. Nigeria, a former British colony, gained independence in 1960.
After the first Kalakuta Republic was destroyed, Kuti moved to the three-storey building his family is now seeking to turn into a museum in Lagos, with renovation work underway.
His pyramid-shaped tomb sits out front, the building situated on a narrow road in a crowded neighbourhood.
"It is very important to me, and this is why we buried him here in the first place -- because we wanted to turn this place into a museum after he passed away," said Yeni Kuti as she stood on the building's rooftop terrace.
The Lagos state government has provided the family with 40 million naira ($250,000) for the museum, according to Yeni, who estimates they will have to raise around 25 million naira more to complete the job.
The aim is to open the museum in October during "Felebration", an annual series of events honouring Kuti around his birthday.
They plan to install glass around his bedroom so fans can see inside, with exhibits in other rooms in the house and a small hotel.
"It's a global issue of mankind oppressing one another for wealth, for corruption, greed," Femi Kuti said. "And my father is just part of this big story."
Monday, May 28, 2012
Los Angeles Greater Tomorrow Drummers
Siblings brought by their mother display their developing talents beating drum at the Drum Church Circle Leimert Park Village Art Walk in Los Angeles on Sunday, May 27, 2012 after procession through the village. Fela Kuti's boy and founder of the Drum Church Circle Najite Agindotan commences drumming by splashing water on the circles as parts of rituals and callings of Olokun Prophesy. Distinguishing surrounding features: World Stage Performing Arts Gallery, Eso-Won Book Store, Buckingham University administrative offices, KAOS Networks, The Vision Theater, Adassa Jamaican Restaurant, African Treasures Gallery, Barbara Morrison Performing Arts, Zambezi African Antiques and much more; and an exhibition on the last Sunday of every month by local artists, whose work are found in every spot. Ehirim Files Images.
Thursday, September 16, 2010
Sunday, August 29, 2010
Night of Magic: Fela Kuti's Shrine Rocks Hollywood
Thursday, August 5, 2010
Afrobeat Now Presents Fela Kuti Memorial Day
A summer blast coming down in da hood and all da folks in Hollywood be crawling, dawg!Yes, on August 27, ace talking drummer and Bab's boy, Najite Agindotan and his Olokun Prophesy Afro Beat Band will be slamming it real hard at Dragon Fly which sits on 8510 Santa Monica Blvd in Hollywood. The gig will be featuring the Queen of Afro Beat, Sandra Isadore whose sensational vocal on Baba's smash hit "Upside Down" exploded at the Chief Priest's shrine.
It's gonna be a lotta fun with more side attractions; so come on down and be part of the experience!
Tuesday, July 13, 2010
Najite Agindotan, King of the African Drums
He was the Chief Priest, Fela Anikulapo Kuti's boy, back in the day, when Afro Beat, coined by Kuti, was the bomb at Baba's African Shrine where all kinds of rituals took place to reinvent a culture that was disappearing within its landscape. He speaks well of Baba who inspired him in what he now does very well, playing the adudu, African drums and percussions.
But Najite, as he is called by his admirers all around Greater Los Angeles, did take his hand-drumming craft to another level; initiating the Drum Church Circle to the City of Angels, inspiring others to follow, and the rest is now history.
On a normal Sunday afternoon, Najite pops up and walks around the village to survey which way the familiar rumble of his drum circle should spill in the park with a cast of vendors and tourists who'd shown up to make brisk business and stomp to the vibes as his entourage strikes rhythms together. Dressed in all white African outfits, his beads jingling around his neck and wrist band well-fit for the occasion, Najite peppers the Leimert Park Drum Church Circle beats with songs and yelps, echoeing as in African masquerade dance.
Master of his art, Najite, in 2000, was awarded the Congressional Award for Excellence by Representative Diane Watson. He has also received grants from the California Arts Council, the National Endownment for the Arts, and in filmmaker Ben Caldwell's own words, promoting and "incubating" the cultural arts in a multicultural Greater Los Angeles.
Also, Najite has been recognized by the University of California; Los Angeles, San Diego, Irvine, and Riverside campuses for his thoroughness and persistence in the arts.
Now that Leimert Park Art Walk is born, expect more with the best yet to come!
Monday, April 19, 2010
WE ARE INCUBATING LEIMERT PARK VILLAGE, SAYS BEN R. CALDWELL
I had watched on Saturday evening, April 17, 2010, the resident drummer, Cornel Fowler, perform with a visting group of jazz musicians at the World Stage Performance Gallery before heading to 7th Street Bar on 7th and Grand Avenue in Downtown Los Angeles where grafitti rock and things like that is now the order in an amazing, evolving generation of a new era.
But on Sunday, April 18, 2010, I had to come back to Leimert Park Village, the hood I have known for many years now, with a whole lot of stuff going on. As it happened and as usual, I bumped into filmmaker, motivator, and founder and director of the Kaos Network, Ben R. Caldwell, who spoke at length on how to keep the historical Leimert Park Village moving. He talked about everything related to the neigborhood. He talked about Laura Mae Gross, founder of the quintenssential blues bar and restaurant in Leimert Park who died last October at the age of 83 and why no major event had been scheduled in rememberance of what she did for the community besides extensive stories written about her by the Los Angeles Times, and the curiousness of tourists who troop the park to find out more about her.
Caldwell talked more about how the younger generation should carry on with the legacy of keeping Leimert Park Village afloat in meeting up with the challenges and what he called "incubating the park" positively and engaging activities. Caldwell is just a cool cat and was serious on what he was talking about.
Sika Dwimfo's Alley Catwalk Models Fashion Show behind the vacated Vision Theatre parking lot as part of the festivities that kept Leimert Park Village activities moving yesterday.
Rastafarian and performer, Jamaiel Shabaka and friend pose for the camera at the park while brisk business was being made. Jamaiel's friend prepares African health-related traditional dishes for patrons and tourists who troop to the park.
This is one of my favorites as I walked around the park and in my conversations with Caldwell. It's kids stuff and inspiration...
Local ensemble The Hurricane Band entertains in "Blues at the Park."
Like a spiritual revival, Rene Fisher Mims leads the women group as they stomp and dance to the vibes of the hand blasting drums of Najite Agindotan and the Leimert Park Village Drum Church Circle.
Leimert Park Village hairstylist, Sherrie "Sirena" Tamu (left) poses with a vendor and a friend who made brisk business selling homemade old-fashion way variety of juices as part of encouraging small businesses in the community.
A motivator and parent instructs the kids as they begin to learn crafts in a variety of disciplines.
Shobiz promoter/model/poet, and resident 27th Street performer, Storm da Poet, poses with a vendor who traded in a variety of authentic African accessories.
Former Chief Priest Fela Kuti's hand drummer, Najite Agindotan and the Leimert Park Village Drum Church Circle entertains the audience at the park.
Afro-Cuban ensemble on the sidewalk featuring Wadada and Horold Lott on the sidewalk of Degnan Blvd and 43rd Street entertaining tourists.
Complete bargain and the provision of services, the African way.
Ben R. Calwell making his point on the incubation of Leimert Park Village.
One of the vendors is all smiles as brisk business is being made.
Motivational speaker and activist, Sista Paula Robinson who will be speaking on "Empowering Our Community" at the Los Angeles City Hall on April 22, 2010, invited by Councilman Bernard Parks and sponsored by Los Angeles Department of Cultural Affairs had a field day at the park speaking on "sisterhood and brotherhood" to make our community the best it could be in meeting up with the challenges ahead.
But on Sunday, April 18, 2010, I had to come back to Leimert Park Village, the hood I have known for many years now, with a whole lot of stuff going on. As it happened and as usual, I bumped into filmmaker, motivator, and founder and director of the Kaos Network, Ben R. Caldwell, who spoke at length on how to keep the historical Leimert Park Village moving. He talked about everything related to the neigborhood. He talked about Laura Mae Gross, founder of the quintenssential blues bar and restaurant in Leimert Park who died last October at the age of 83 and why no major event had been scheduled in rememberance of what she did for the community besides extensive stories written about her by the Los Angeles Times, and the curiousness of tourists who troop the park to find out more about her.
Caldwell talked more about how the younger generation should carry on with the legacy of keeping Leimert Park Village afloat in meeting up with the challenges and what he called "incubating the park" positively and engaging activities. Caldwell is just a cool cat and was serious on what he was talking about.
Tuesday, November 17, 2009
Culver Club Chit-Chats
Image courtesy of DissolveOn October 30, 2009, my buddy, classical music basoonist and pianist, Rudolph Porter, had agreed to locate a spot "and we can hang out." Culver Club was the place. He had performed there before. And Culver Club is where West Coast finest jazz pereformers display their arts, and it is a place of hangout for jazz enthusiasts on Fridays, on the Westside. On this particular day while Rudolph and I were poking around the lobby my phone vibrated and a friend's text message had timely popped up on my screen to check what I was up to and how I'm doing.
This fella, Ebere, loves African-related media hyped issues, news and views, and he is so fascinated about it, especially when it comes to show-biz and the tap of fine leather.
Knowing my spot, he hopped on his car and found himself at where Rudolph and I were hanging out for the evening. On his arrival, after our bumping fists, he noticed jazz at the Culver Club was alive and well as the November line-up and schedule of performers was all over the place. The Culver Club sits on the lobby of Radisson Hotel's L.A.'s westside, the hub of nightlife and promenades.
The line up for November had some interesting, upcoming gigs: Chris Benneth Quartet; Ernie Andrews Quintet; Dr. Bobby Rodriguez' Latin Jazz "Birthday Dance Party" featuring Justo Almario, Joe Rotondi, Eddie Resto, Luis Conte and Richie G. Garcia; Tony Russell Quartet; Rhonda Benin Quartet; and Ryan Cross & The Soul Funk Band.
The music in the lobby was mellow; some contemporary jazz of 94.7 FM the Wave kind of flow. We talked about a whole lot of stuff over some drinks and good, delicious dishes -- college football, the Nigeria 2009 FIFA U-17 World Cup played in several Nigerian cities, the Orange CAF Championship, Nollywood and African films, Naija politics, Igbo Diaspora, Fela, President Barack Obama's visit to China and M-Net Face of Africa's new season, among others -- becoming one of those evening happenings around my neck of the woods.
Surprisingly, Ebere first raised the issue of Los Angeles Times' veteran music critic, Robert Hilburn's new book, "Corn Flakes with John Lennon and other Tales From Rock 'n' Roll Life." I did not read the book, but I did comb some pages about three weeks ago, I believe, at Borders, while cooling off from a bumper-to-bumper, crazy-dubby Los Angeles traffic. Frankly speaking, I was never a Lennon fan and that does not mean he was not good, but I did love the Beatles'years when the incredibly Liverpool kids -- Lennon, Paul McCartney, George Harrison and Ringo Starr -- had it going on with a lasting blast that rocked America in the 60s.
Ebere, who loves the Beatles, also, gave most credits to Lennon he said "made it happen for the Liverpool kids." I'm not really sure, though, I did not know Lennon's mom left him (Lennon) in a relatives care for much of his childhood...and reunited when Lennon was in his teens until Ebere gisted us on the excerpts he read from the L.A. Times. I agree with Ebere that the Beatles' years was what changed America and the concept of rock and roll.
On college football, it's obvious no one liked the goings-on with USC's football program this season and a little bit not impressed, he said "all but full of uncertainties with a team that has gone through a whole lot including scandals, on and off campus." Not bad, since USC has lost only two games at the time of the Culver Club Chit-Chats. Coach Pete Carroll's choice of a freshman quaterback as starter was not what we wholly talked about, but that of the offensive and defensive linemen. And what they are saying is that Jethro Franklin's approach has been working wonders for Trojans defense. "I dunno about that."
We talked about college sports in general and how it's good for academia. We talked about how USC has played a very significant role in the renaissance of our hood and Downtown Los Angeles. As one of the nation's finest private research universities, USC is a major contributor to the City of Angel's economic growth, creativity and cultural diversity. An institution that enrolls more international students than any other American university.
We talked about USC being a builder of people and of society with its intellectual capital known to have built enormous bridges. Many of the nation's best doctors, lawyers, judges, teachers, dentists, pharmacists, urban planners, and government officials are USC-trained. Compared to Nigerian universities, he was pissed. Check this out;" he would say. "Last year alone, USC's faculty, staff, students, and friends donated $1.1 million through the USC Good Neigbors Campaign to fund education, health, and safety programs for the 16,000 children who live near USC's campuses or who attend one of the 14 neigborhood schools USC has adopted.
"Does such exist in your fabricated nation-state called Nigeria?" he would question sarcastically. "USC's faculty, staff and students also work as volunteers in these programs, tutoring school children, advising enterpreneurs on business plans, bringing high-schoolers into university labs to do hands-on scientific research, providing dental care for young people, and helping neigborhood kids prepare for college.
"Can you say that about your contry's retarded and ill-equipped higher institutions despite its huge human capital?" he would again utter.
On Nigeria 2009 FIFA U-17 World Cup played in several Nigerian cities, he talked about how technology has significantly changed bringing the world so close to our fingertips. "Without physically being in Nigeria, we watch Nigeria Television Authority news live. We read the newspapers online immediately they are released. We watch the movies -- Nollywood Babylon, Pretty Woman, Secret Fantasy, Yankee Girls, Lord of Host, Sister's Love, Escape, Blood on Ice, Keep My Will, War Game, Extreme Measure, On My Wedding Day, Reloaded, Girl's Cot, Women's Cot, Coincidence, Osuofia in London and uncountable others -- in our living rooms without stepping out.
Ebere was very sure Nigerian Golden Eaglets "will pull that one out," and that the Latin American teams would be the obstacle even though there had been upsets in the First Round of the tournament. "Latin American teams are masters of the game and they do know how to finish," he would lament. Again, that I was not sure for a lot of reasons: time has changed and it is a different era. Ebere was wrong. Latin American teams could not "pull that one out" and the Golden Eaglets lost in the Finals.
On the Orange CAF Championship which I did not pay attention to and never had, he was sure the Owerri Heartland FC will lift the African Championship League trophy and its $1.5m prize tag when Heartland meets Congo DR TP mazembe on a homecourt and away aggregate score saying he has faith in Kelechi Emetole and his boys. Heartland lost. Ebere was wrong.
On Nollywood and African films, he talked about Sophie Okonedo's Anthony Fabian directed movie, "Skin," now showing in select theatres, among them: L.A.'s The Landmark on Pico Boulevard in Westwood. He talked much about how Nollywood did improve in its film editing, score, adaptation and visual effects. He talked about the industry being bent on the same concept in its movie-making, that it needs to drift to more creative stuff to allow room for unversal awareness as in the Oscars and other global film festivals that would enhance Nollywood.
On Naija politics, he talked about why Niger-Delta militants shouldn't have given up arms yet, based on the fact that for fifty years the "damn oil" has been flowing from under the feet of the people to the barren and rat-ridden lands of the murderous, northern Islamic Jihadists. He asked "how could fifty years mean fifty years of misery and hopelessness when our own resources is being used to feed fat the northern caliphates and blood-thirsty cannibals? Enough is enough and the fight must continue."
So pissed on nasty Naija politics, he said Charles Chukwuma Soludo, Anthony Anenih, OBJ, Alex Ekwueme, Andy Uba and a bunch of the raggedy ass politicians are all whack, and it sucks. He talked about how Soludo had been in the nation's political gimmicks.
Soludo, a man of high integrity. A financial scholar. A learned man who could have left the ugly political atmosphere with dignity and honor, but rather reduced himself to mudslinging Anambra politics run by greedy bastards and thuggish elements of Chris Uba's ilk. That Soludo is now akin to Anambra political thugs.
Soludo has become an example of infallible men who had thought they got it all figured out in not realizing they had deliberately opened up their vulnerability to riffraffs who had taken charge, including the "profound laws" of the land in their own hands, and not knowing they will be destroying their character and "political career" in a state of empire and anarchy. Such tragedies follow infallible men when they take their political allies and foes for granted. He is paying the prize and has lost every credit.
Of greed and coercion. A volatile "Anambra State." A people without human consciousness. A confused, infallible Diaspora bunch. A case of sad reality and critical situation where fixing the problems of Anambra could only be done by the people of Anambra; and if they don't, they can go to hell and leave the rest of us out of it. Anambra politics has destroyed every aspect of Igbo ideals one begins to wonder if it's the same Anambra we once knew -- the home of Chinua Achebe, Cyprien Ekwensi, Nwafor Orizu, Louis Mbanefo and the rest.
On Igbo Diaspora, he laughed so hard his ribs began to hurt him. Starting from an impotent World Igbo Congress, he said the bunch and casts of money-chasing, pot-bellied "chiefs," the so-called Igbo umbrella are not real. "These are gullible, vulnerable, crumbs-seeking red cap chiefs of an organization that is desperately going to hell and the only way out being dissolution," he would say. A bunch that has lost touch with reality and had no clue what had been done to them by a mouth-watering, misleading "executives" and "board members" who found it comfortable keeping funny books.
On Fela, the Chief Priest, he hailed Baba for all he did in using his music as a weapon to send his message across, fighting a bastardized and corrupt regimes of the military juntas including the civilian embezzlers. Fela is just king and he has been resurrected by Tony Award winning director, Bill T. jones in a manner that makes the legend more accessible to Western audiences.
Fela's Broadway resurrection takes the audience into the legendary nightclub, The Shrine, where the musical icon and political activist played for several years, perfecting his music and criticism of the military juntas in a fabricated nation-state.
Ebere recited some of Fela's songs and (he) kept talking about the legend. The spirituality in his perfomances on stage. The invocation of the gods and the evils of colonialism -- all in English, pidgin English and Yoruba. The smoking room and spirits. "Fela's the man, ah, baba!" he would continue.
On M-Net Face of Africa's new season, he called it "Africa's media sensationalism," and that it's all hype which do not take the aspiring models far enough to reach out globally. He said it's only the winners that takes it to another level leaving the runners-up and other contestants abandoned and vanishing to the thin air. He did not go further.
On President Barack Obama's visit to China, he brought up the president's half brother, Mark Okoth Obama Ndesandjo, who lives in China, married to a Chinese and has written a new book "Nairobi to Shenzhen," which is about the author's bad memories of his childhood. Born to the third wife of Barack Obama Sr., President Obama's father, Ndesandjo moved to the United States, earning degrees in physics from Brown University and Stanford, and an MBA from Emory University. He plans to donate 15 percent of the proceeds from the book to a charity for children.
Ebere was so excited about Obama's presidency. "Whoever could have imagined that after all the pains of slavery, the separate but equal laws, the Dred Scott Case, the 1890 Louisiana statute -- Plessy Vs. Ferguson -- the Civil Rights movement and things of that nature, that eventually America will do the right thing -- electing a black president?"
On societal ills and global problems, grand and small, he said "Obama cannot do it alone. He will need the unconditional input of global (political) leaders including religious leaders."
Ebere talked about how we should see the poor and how we need to always start with the poor because they are totally left out in today's society. That the poor aren't in our same networks. That they cannot afford our networks. That they do not belong to councils and committees. That the poor don't have access to anything. School is free and so too are other social programs out there; but the poor do not see it and we must reach out to them for them to have access to all the available social programs and benefits out there in the public.
He talked extensively to near exhaustion about teaching the poor help themselves and not by giving them handouts, which goes with the saying "give me a fish and you feed me for a day; but teach me how to fish and you feed me for life." "We should always try to help the poor help themselves." He summarizes his analysis on the poor quoting Pope John Paul II on the Papal's 1988 Encyclical on social concerns:
"Because of our love of preference for the poor, we cannot but embrace the immense multitudes of the hungry, the needy, the homeless, those without medical care and, above all, those without hope of a better future. It is impossible not to take account of these realities. To ignore them would mean becoming like the 'rich man' who pretended not to know the beggar Lazarus lying at his gate (Luke 16: 19-31).
Unfortunately, instead of becoming fewer, the poor are becoming more numerous, not onl;y in less developed countries but -- and this seems no less scandalous -- in the more developed ones too. It is necessary to state once more the characteristic principle of Christian social doctrine. The goods of this world are originally meant for all. The right to private property is valid and necessary, but it does not nullify the value of this principle."
On suffering and what it means, Ebere came to the fore of the Holy Scriptures with what most of us, if not all, have encountered in life. The question of why me when every other thing is going on well for others while "yours" keeps going down with severe pain and no end in sight. He goes on to lament suffering being punishment for foolish or sinful behavior; or a discipline, an experience from which we can learn and become better persons; or suffering being for the benefit of otherrs, citing running backs, quarterbacks and athletes in general who sacrifice themselves and their own glory for the good of their team; firefighters who risk their lives to save others; and Martin Luther King Jr. who was killed for proclaiming the gospel of justice and freedom, and his witness having significance for all Americans.
He talked about Nelson Mandela and the suffering and sacrifice to free his people from bondage which bordered on understanding the redemptive value of suffering; that is, the idea that the suffering of one person (or group) may benefit many others.
He enumerated a stretch of biblical verses regarding suffering. Among them: Proverbs 11:3; Deautronomy 30: 15-20; Eccl 7:15; Luke13: 1-5; John 9:3; Isaiah 52:13-53:12 and Job 4-37.
He (Ebere) had turned our evening of smooth jazz, lullaby, good feelings and good times into the temple of the Lord, like in a spiritual revival, rejoicing and invoking the name of the Lord. "Jesus is Lord, Amen! Amen!
Finishing his sermons on the Holy Scriptures, he changed the whole subject entirely and talked about what our women are doing to us and what we are in turn doing back to our women. Though I tried not to dabble into what he was about to say regarding the morally outrageous relationships that has become a commonplace thing on the shores of our adopted land -- America -- I asked him if he would marry again since his near fatal bitter divorce.
"Of course, I will marry again, but this time around since I have learned my lessons the hard way, I will keep her ass in my village and she will never smell America, never, and you can quote me on that," he replied.
Ebere's touch was magic but we were kind of getting the buzz when Rudolph chipped in with some more booze as he began to tell his own stories. Rudolph had done all kinds of stuff. He'd sold cars. He'd been Muhammad Ali's special guest when he entertained at Ali's home back in the 70s. He'd played gigs alongside jazz greats -- McCoy Tyner of which he was at backstage when Tyner performed at UCLA's Royce Hall last weekend. He had been everywhere and seen everything. In South Central Los Angeles, back in the 50s, he rolled at then Babe's and Ricky's Club on 50th Street. He's a regular at the historic Leimert Park, the home of World Stage Performing Arts Gallery's jam sessions and voice overs. And according to him, "at 60 I feel great!"
So was such an evening on the Westside around the neck of my woods.
Saturday, October 24, 2009
Memorable Images and Time
Muhammad Ali sightseeing downtown Kinshasha, Zaire on September 17, 1974 greets fans before fighting opponent George Foreman, twice his size in Kinshasha on October 30, 1974. Ali gave Foreman a stunning defeat in "Rumble in the Jungle." (Associated Press Photo)
Nelson Mandela, center, sings with supporters and fellow accused during his first treason trial in Johannesburg. Mandela and the other 150 people accused were acquitted after a four and a half year trial. Photo taken in 1956 by Peter Megubane/Associated Press.
1961: Nelson Mandela and his then wife, Winnie, show off their firstborn daughter, Zindzi, at their home in Soweto. Mandela fled into exile overseas as the political situation in South Africa worsened, returning only to be arrested and sentenced to life improsonment in what became known as the Rivonia Trial. Alf Khumalo/Associated Press.
Dr. Martin Luther King Jr. presents his "I Have a Dream" speech at the Lincoln Memorial, August 28, 1963. (AP Photo)
The release of "Yellow Fever" was composed, arranged and produced at the Chief Priest, Fela Anikulapo Kuti's communal compound called Kalakuta Republik, located on Agege Motor Road. Who steal my bleaching...I buy am for shopping...your mustache go show...your nyash go black...I go die o...
The Showdown: Undisputed World Welterweight Champion Sugar Ray Leonard and Thomas "Hitman/Motor City Cobra" Hearns battle it out in 1981 during the golden era of boxing when the sport was for pride and passion not for profit and commercial success. I had a bet with my brother, then, but Sugar Ray came from behind and knocked out Hearns in the 14th Round on a TKO.
Saturday, August 29, 2009
Summer Jam's Winding Down

The beginning of summer could be viewed as the opening scene of a movie. Shots into the night. The crews and casts. The concerts from every recreational park on the goodwill of every city or county's department of culture, and on the sponsorship of the big rollers in today's commerce -- Heineken, Lucky, Los Angeles Weekly, Downtown Long Beach Associates, Budweiser, Jack In The Box, Burger King, McDonalds, Sonoma Vineyard, CVS Pharmacy, Magic Johnson, Korbel, KLOX 95.5 Los Angeles, Amoeba Records, and so on -- throwing in the big bucks, making sure we party animals, pub-crawlers, concert goers and the Hollywood wannabes gets the best out of it. It is winding down and how could one explain it? Fun? Of course.
Besides all that summer jams and blasts, call it what you want, I somehow did something different during the course of the summer jams not letting anything block my way, no matter what. I read some fascinating books while the summerfest jammed all around. I combed through Chimamanda Ngozi Adichie's The Thing Around Your Neck after my daughter reading it and concluding some of the short stories did not have an ending suggesting there might be a sequel as in a movie or to suspend her readers to figure it out. And, also, interestingly, I read Jeanette Hardage's Mary Slessor -- Everybody's Mother: The Era and Impact of a Victorian Missionary published by WIPF & STOCK taking me aback to the civics lessons of Colonial Mentality which destroyed our cultural heritage bringing about modernity that we see today as civilization, and which ultimately nullified our ancient customs rather than reform them. Remember when "witchcraft, trial by ordeal, the murder of twins" for one must be the offspring of a demon and when barren women were derided as ekwesu, evils in our society? As the story goes on, Mary Slessor, the Scottish Presbyterian missionary, at age twenty-eight dabbled into an agrarian and primitive society in Calabar and did all she could as a missionary to leave a mark in the history books.
I also read The History of Black Religion: Your Spirits Walk Beside Us by Barbara Dianne Savage published by Harvard University Press, which narrates the relationship between a prominent black preacher, Jeremiah Wright of Trinity United Church in Chicago, and his most famous congregant, Barack Obama, who would become the president of the United States. Savage wrote with style here beginning with the early studies of black religion by W.E.B. Du Bois, Carter G. Woodson, and Benjamin Mays and ending with a discussion of Obama and Wright. Interesting read!
Now the book is diverting my attention, so I must face the real deal and while summer is just fun. Nothing but fun, so to speak.
From Long Beach to Los Angeles, and from Hollywood to the San Fernando Valley, it's all about jazz and the summer jams. From Laguna Nigel to Ocean Side, the sweet breeze met the smooth jazz on several trips along the coasts of San Diego heading back North on the 405 Freeway onto the 5 Freeway jamming the farmlands of Central California. It also echoed on the playgrounds of California State University in Bakersfield, breezing through the beautiful smell of produce in Fresno. It's been a hell of a jam despite the "slowmo" economy. It's the economy really bad?
Then all along the 101 North, heading to Woodland Hills, Canoga Park Westlake Village, it's all about the summer jams.
For instance, the three day Long Beach Jazz Festival was one of its kind in the program's 22-year history. The lineup this year was another event that revealed there is actually no show like showbizness. The festival was dedicated to former NBA player and jazz musician Wayman Tisdale who passed away on Friday, May 15th, 2009. My girl, Los Angeles-based performer, Angie Stone, gave it her best with her fifth studio album "Unexpected" scheduled to hit record stores around mid-October and Stone taking her career to a whole new heights said, "people think there is a fixed sound for Angie Stone, but this will be something different across the board," and acknowledging "... there will be some collectible tracks in there. With the exception of Chuck, I'm working with all new producers. I also worked with Juanita Wynn, my sister in soul for the last seven years and she's incredible."In Black Township's Leimert Park, the 2009 World Stage dropped its own line of programs on Sunday, August 09, on the Vision Theatre parking lot with a bunch of casts and fanfare even though the event and turnout was way below expectation. I was able to talk to a lot of the performers, and had looked forward to seeing Los Angeles Times veteran photo-jounalist, Francine Orr to show up for the historic community's event which unveiled some incredible talents.
I had also spoken to Leimert Park resident, hand drummer, Marvin "Brother Rock" Rock of the Leimert Park Drum Church founded by Nigerian-born Najite Agindotan. Najite was the Chief Priest, Fela Kuti's hand drummer at kalakuta republic. Najite Olokun Prophesy plays weekend at the House of Blues in Hollywood with his cast of Omo ogun, Rock Samori, N'gala, Sherwood Nat Nyema, Nate Morgan, Charley, Kpapko Adu, Phil Ramelin, Bobby Bryant, Alaah-Deen, Andrew Gerald, Chini Kopano, Ndugu, Makida Anderson, and Carol Abata. Bobby Bryant plays alto sax while joined by fellow windist Alaah Deen on tenor saxophone. Sitting down with Najite and chatting on the course of Leimert Park projects in reviving its cultural landscape, he said the city hasn't done much to promote the historic park's cultural awareness despite all the efforts he had put to bring back life to the community and his own idea of the Leimert Park Drum Church was to make it a yearly thing as in all cultures and fests.
The summer fests is winding down, for sure, and the reamaining lineups seems to be tempting and would be overwhelming. In keeping funk alive, the Long Beach Funk Fest was held on the streets of Long Beach, on the corner of Pine and Broadway, and it was all explosive, featuring back in the day funksters' Mandrill. Dawn Silva, Charles Wright and The Meters' Experience popped up to sustain the future through pure funk. The jam was on till midnight, Saturday, August 29 to wind it down, and I probably have one more big event to attend depending on my schedule -- the one week two festivals at the 33rd Annual Russian River Jazz and Blues Festival featuring Al Jarreau, Neville Brothers, Rick Braun, my buddy Jonathan Butler, Dr. John and the legendary R & B Revue, also, featuring Tommy Castro, Bernard Allison, Rick Estrin and Janiva Magness. The Jazz and Blues Festival starts Sept. 12 for the jazz concerts and Sept 13 for the blues at Johnson's Beach in Guerneville, on the plains of the wine country of Sonoma County.
It's going to be fun, without a doubt, so stick around as there is more to come and time to deal with the nasty political issues of the day, home and abroad.
Wednesday, April 8, 2009
Seun Kuti To Rock Los Angeles Again

Yes, the youngest son of the legendary Chief Priest, Seun Kuti, will be storming the grounds of UCLA in Westwood on Saturday, April 18, 2009, in the campus' Royce Hall where his dad once performed. Hugh Maskela has performed there in many ocassions, and Maskela was his dad's best friend and they did play together. Like his last year's brilliant performance at the California Plaza in Downtown Los Angeles, this one at UCLA, and I know, will be another hell of a show.
But on Saturday, April 18, Seun, in his second appearance here in the Southland, will be unveiling more of his father's craft, the one he started learning at age 9, and I will be there live and on backstage to dig it. And, for sure, I will dig it!
LA is the place and it rocks!
Sunday, April 5, 2009
Da Week and Da Happening

Whoo boy, what a week that had begun from checking out an eatery and learning a whole lot about the cowardice Yoruba nation that collaborated in slaughtering my kith and kin to ending up in a forum I have been asked to play a significant role in organizing The Fat Waller Musical Show conceived by Richard Maltby, Jr. and Murray Horwitz; and musically staged and choreographed by Arthur Faria. The Tony Award winning Fats Waller Musical "Ain't Misbehaving" at the Ahmanson Theatre on Temple Street in Downton Los Angeles will run through May 31, 2009, and then following would be the Summer jams and the line-ups.
Well, it's good to know that Ronke Bernadette, owner of Lagos Cafe, has admitted showing some improvements after my visit there a week ago. She has been paying homage to the local churches here in Los Angeles invoking my write-up that God sent me. Patrons have been flooding her eatery ever since that piece, "Lagos Cafe's Arrogance and Horrible Services is a Culinary Disaster." I hope her customer relations has improved, too, because it was zero during my visits. It's time to appreciate the fine work of investigative journalism even though the dummies who had no idea what they were writing about will never realize that.
There has been talk that Seun Kuti will be visiting the City of Angels again following his fantastic and successful performance last Summer at the California Plaza in Downtown Los Angeles. I'm yet to confirm that but when I'm in the know, you surely will get every detail. Seun is just the carbon copy of Baba, the Chief Priest, Fela Kuti, and the flow of his music is awesome.
With a series of activities as the summer jams approaches, a Jewish friend of mine did not find it funny why I missed the Fun and Wacky Passover Adventure at the Shalom Institute in Malibu, California, last week. The event featured Carl Weintraub and music performed by Robbo and Cindy Paley. This guy is a fellow we hold intellectual discourse into the night about the Holocaust six million Jews perished and the pogrom in which the Hausa-Fulanis in collaboration with the Yoruba nation that stinks slaughtered innocent civilians, eviscerated pregnant women, and coerced and stole Igbo properties. Like a Jew learning from the Synagogue that "to forget is to proclaim Hitler innocent," so also is to forget is to proclaim the Hausa-Fulanis and the Yorubas innocent after slautering my people in the most brutal way.
The Twitter nation is waxing strong by the second. It is the real deal. It is the talk of town. Even my good friend, Austen Oghuma, talks about it all the time and how America is a great nation with its brilliant pattern of creativity. That I agree. He is hooked to it and so is everybody. It's Twitter and nothing else. If you follow me, I will follow you. How about that and a way to connect?
For some reasons, I haven't been following up with the few remaining games in the NBA and I'm quite sure it's because of Lakers' inconsistency, allowing King James and his gang to take the lead, overall. But I still pick my LA Lakers to come out smoking, in the long run. We'll see, as the whole drama unfolds. Go Lakers, go!
Oh, before I forget, Ugandan model, actress and performer, Imat Akelo-Opio will be gracing the cover of our debut magazine in an exclusive interview.
Bruce Springsteen who turns 60 in September is now on the road with his E Street Band to support their latest project "Working on a Dream." I haven't watched the guy live lately but I sure do have the ticket for his April 16 jam at the Los Angeles Sports Arena. I will be there. That's my hood and I know it's going to be a hell of a show knowing Bruce for his activism and the way he's loved.
That's da happening and whatever happens keep on twitting. It's good for the soul.
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