Showing posts with label Book Shelf. Show all posts
Showing posts with label Book Shelf. Show all posts
Wednesday, July 11, 2012
UNESCO: Nigerian city of Port Harcourt named 2014 World Book Capital
Young boy and girl reading books in a street in Qazvin, Iran. Photo: UNESCO/Dominique Roger
The United Nations Educational, Scientific and Cultural Organization (UNESCO) today (July 11, 2012) announced the selection of the Nigerian city of Port Harcourt as the 2014 World Book Capital.
“I extend my congratulations to the city of Port Harcourt for the quality of its proposed programme, which provides for extensive public participation and aims to develop reading for all,” said UNESCO’s Director-General, Irina Bokova, in a news release. “I wholeheartedly endorse the commitment of Port Harcourt to support literacy through the activities organized for the year.”
According to the agency, its selection committee chose Port Harcourt for the quality of the programme it presented. It focused on youth and the impact it will have on improving Nigeria’s culture of books, reading, writing and publishing to improve literacy rates.
The selection committee, which met last Thursday at UNESCO’s headquarters in Paris, brings together associations in the book industry – the International Publishers Association, the International Booksellers Federation and the International Federation of Library Associations and Institutions – as well as representatives from the culture agency.
Each year, the committee bestows the title of World Book Capital to a city which has committed itself to promoting books and reading, and to highlight the vitality of literary creativity. The nomination does not imply any financial prize, but it is an exclusively symbolic acknowledgement of the best programme dedicated to books and reading, UNESCO said.
Port Harcourt is the 14th city to be designated World Book Capital following Madrid (2001), Alexandria (2002), New Delhi (2003), Antwerp (2004), Montreal (2005), Turin (2006), Bogotá (2007), Amsterdam (2008), Beirut (2009), Ljubljana (2010), Buenos Aires (2011), Yerevan (2012) and Bangkok (2013).
Wednesday, March 21, 2012
The Ambrose Ehirim - Queenkay Amamgbo Q & A Interview

QueenKay is a mother of two young boys, Chika and Lota, a multi-faceted entrepreneur, writer, enthusiast, and optimist. She moved to the United States from Nigeria when she was 18-years-old. After living in the Washington, DC area for a few years, she relocated to Los Angeles, California. Her desire to realize her creative passions led her to Hollywood. Nevertheless, she soon found herself taking a detour, to follow her heart's pathway. After falling in love and getting married, QueenKay's true-life, fairytale romance ended tragically. Ironically, the ending of her romance was the beginning of her Reconstruction and Transformation and the very catalyst of this book, The Reconstruction and Transformation of QueenKay.
Excerpts:
Let’s talk about you. Can you tell us a little bit about yourself, your upbringing and things like that?
Well a bit about me. I am what you call a very down to earth girl. I don't have any hang ups and I am very easy going. I grew up in a middle class family while enduring a lot of family drama.
What were your early influences?
My early influences were seeing my mum as a strong force to be reckoned with. Although pushed down many times, got up many more times to claim what was rightfully hers and raise her children the best way she knew how. I also from an early age fell in love with movies, music and the human experience. We get to tell our stories through so many mediums.
You have written a book. In what environment did you start putting “The Reconstruction & Transformation of Queenkay,” together?
I started writing my book shortly after I lost my husband. I couldn't stay focused on writing because the pain was too raw. It took me three and a half years to finish the book.
And how did you arrive to conclusion it should be put into a book?
I knew when Charles died that our story had to be told. I knew that it would be first as a book and evolve into a feature length film. I was certain of that.
What were your doubts at the time of penning and putting your emotions, Charles’ death and coping with the tragedy, together?
I had a lot to deal with, his death, surviving, raising my boys and struggling to save my business and my home where amongst the setbacks that made writing the book difficult. I didn't really doubt that I would finish the book, I just knew I had to.
You said “The Reconstruction & Transformation of Queenkay” would make one “laugh, cry, think, love, lose it and believe again.” Could you explain what that means?
I mean it would take you through my life and in many instances you would relate to the words and events as though it were happening to you. Ultimately, you would feel HOPE and the courage to carry on no matter what life throws at you.
What would you have done differently assuming you did not complete the book?
I don't think it would have been easy for me to complete any meaningful and fulfilling projects had I not completed the book. It felt like a heavy burden that needed to be let down. I would still be busy building my business and myself up but I am glad I completed the book. I feel freer, lighter and ready to take on the world.
I read somewhere that Hollywood had been on your “radar” from your inception of the American Dream until you met your sweetheart. What inspired the Hollywood dream?
I was very artistically inclined while growing up. It wasn't the dream of simply being famous for the sake of it, it was the desire to fulfill my creative passions that made me want to be part of a dream building opportunity.
If given the opportunity now, would you consider giving Hollywood a shot this time around?
It would have to be on the terms of a creative person behind the scenes. I am now a mother and my priorities have changed, but I would still love to tell moving stories and give people like myself a voice.
In your opinion, what is the Nollywood film industry not doing right to meet up with the challenges in terms of quality production and by way of scholarship compared to Hollywood?
I am not sure what they are doing specifically. I know that the quality of films in recent years has improved dramatically. The American film industry has been around for years and has been improving every since. There are organizations set in place to maintain the integrity of the projects that come around. There are museums and archives of pioneers who have paved the way. I really do not have any way of knowing just where we are in terms of getting to this level. I do know we have some very talented writers, actors and producers. We have come a long way and I pray that the best is soon to come.
You are a one of a kind mother of two boys, a magnificent entrepreneur, author and as the list goes on, where does the energy come from in all these combined?
I do not know where the energy comes from. I get inspired daily to push myself to new heights of creativity. I do not want to settle for less than excellent. I think God just gave that doze of "extra" and I will keep riding high until I get called to glory.
How is ‘Man Must Wak' doing? I love African dishes especially ofe olugbo. What are the delicacies and what should I expect assuming I stop by to make a purchase?
My store is doing great. It has survived the economic downturn and is getting ready to ride the upswing. Do you mean ofe onugbu (bitter leaf soup)? It is a specialty where I come from and we sell the ingredients in my store. If you were to stop by my store, you will find ingredients for making all kinds of soups ranging from okro soup to egusi soup and the list is endless.
Let’s talk about your boy, Chika. I watched him at the book release party video. He was awesome and I could not imagine such a kid with that powerful, moving rendition:
You can't do it alone
we can't do it alone
we have to work together
to keep going
It’s all in one community
that we have to;
work together
Wow! I was personally moved. How was all that rehearsed in preparation to the event? Coupled with the reaction of the audience, what was the discussion when you all got home?
Thank you so very much on the complement regarding my son Chika's speech. You know, that boy is just a God sent. We never rehearsed any speeches. I knew I had to say thank you. I never knew he would want to say something. For a child who was 9 at the time to have the courage to speak in front of a room full of people and say such a courageous thing, moved me also. He's my son and I simply can not get enough of how he seems to be so captivating when he speaks. He reminds me a lot about his father. The audience was moved too and it was just a wonderful day in totality. We didn't speak much about it when we got home, it was just a perfect day and we were grateful it turned out well.
How was your days at the University of San Francisco?
My days at USF were memorable and I am glad I had the opportunity to attend such a prestigious school
What’s your next project now besides a hand-full of family and entrepreneurship?
I just finished co-authoring a book with 23 female authors from all over the world. The book is entitled, "The Unstoppable Woman's Guide to Emotional Well-Being" The book project is such a blessing and their are many more to come from it. The forward to book was written by Oprah's Marketing Manager with Harpo Studios, Maya Watson. I am very excited about this year. The website for that book is http://www.theunstoppablelibrary.com Besides this new book, I have a slew of interviews slated for the next few months and I am simply amazed at what the future holds for me.
What’s your leisure time like?
If I have any leisure time in between my crazy schedule, I sleep. I tell people it's one my hobbies and they laugh, but the truth is, I do everything on full speed, so to me when I lay down, that's a luxury. I do like to read, watch movies, and travel. Thank you so much for the opportunity to connect with you and the readers. I do hope that my book blesses those who read it and is a life changing experience for as many as would allow it.
Wednesday, January 18, 2012
Q & A Interview With Ifeanyi Enoch Onuoha

Tell me about yourself?
My name is Ifeanyi Enoch Onuoha. I hail from Iho-dimeze in Ikeduru Local Government Area of Imo State, Nigeria. I live in Aba, Abia State, Nigeria. I was born into the family of Mr. and Mrs. Godwin Onuoha on the 12th day of the beautiful Month of May, 1984. I attended Golden Nursery and Christopher Memorial Primary School, all in Aba, Nigeria. I did my Junior Secondary School education at St. Bridget’s College, Aba and my Senior Secondary School education at Federal Government College, Okigwe. I gained admission to study Medicine and Surgery at Imo State University and later dropped out.
I discovered while growing up that I have the passion to motivate, inspire and help people make their lives better. When I left school I went and joined my dad in his ladies footwear business at Ariaria International Market, Aba. I later left the business to pursue my passion and fulfill my God-given purpose to make a positive difference and leave a noteworthy legacy. I went into self education by reading and putting into practice the principles and truths I discover in life. The desire to make a positive impact in people’s lives made me to pay the price and go the extra mile to become an inspirational speaker, life coach and a social entrepreneur.
I work and teach people to make their lives better, this gives me joy. I write and share articles on self-improvement, leadership and other topical issues. I like networking and masterminding with great minds because I know that no one can achieve success alone and secondly, iron sharpens iron. I am grateful to God for the great people He brings my way like you, Sir Ambrose, Mr. Anyaele Sam Chiyson and others I cannot mention due to time. I am thankful to all my friends. I enjoy reading, writing, good music and enriching lives positively.
What was the motivation behind writing a book of this nature?
The motivation behind writing this book was to write a book that will humble, inspire and encourage people to arise and achieve greatness. The content will give the reader the Midas touch to lead a better life.
You said “In this day and age, there is a greater call to build your self-assurance, overcome anything that upset your applecart.” What exactly are you saying here?
Here am saying that in today’s world, to make your dream come true you must define your self-concept and understand who you really are. This helps you believe in yourself and stand firm to defeat the challenges of life that want to distort your great destiny.
As founder of Higherlife International, what is your foundation’s goal?
Our goal is to make the world a better place for all by empowering people with the right education to lead their lives and make a success of it.
How did you come up with the title of the book and what convinced you to know that it was the right choice?
The idea was clear that it will be a book that will enlighten, equip, empower, enrich and inspire people in a way that no book has done. I first titled it: "Overcoming The Challenges of our Time," but when I took it to my friend and brother, Anyaele Sam Chiyson, he read the book and said that the title needs to be changed to something more attractive for my audience. We brainstormed on names that will be right for a book of this nature and finally, we arrived at: "OVERCOMING THE CHALLENGES OF LIFE."
I was convinced it was the right choice because whoever heard of it would be compelled to purchase the book and learn how to overcome life's changes.
As a visionary leader what are your thoughts on a Nigeria that has fallen from the standards?
Nigeria is a blessed and beautiful country! One challenge we must overcome urgently is corruption because it is one factor stagnating our advancement. As a nation, we need a positive transformational leadership that will put an end to the works of those cabals that are enriching their personal purses and impoverishing our country. The betterment of our country Nigeria requires a collective effort, alone we can do so little; together we can do much more. Let us immortalize our names and make a lasting legacy by coming together to make Nigeria great again.
Did you ever think of yourself writing a book of the subject matter?
There is no way you can embark on a journey without having any destination in mind. Yes, I have to write a book on this subject because I have seen and had challenges and I overcame them. One thing I won’t fail to mention is that as I began writing, doors to greater wisdom and knowledge opened and I thank God for His favors.
What kind of audience did you target before making up your mind on the book?
The audiences were those who want to improve their lives, and I know that every positive person desires to make better his/her life.
Was the purpose of the book to teach, learn and make a difference, or was it for commercial purposes?
I have a passion and conviction to make humanity better. My purpose for writing this book is to educate, inspire and encourage people to make a positive difference and leave a lasting legacy worthy of emulation. This book teaches true leadership, defines integrity and excellence to the reader as well as positive self improvement.
Friday, August 19, 2011
The Africa State, Genocide and the Exigency of AFRICOM

(Paper presented on the panel “US Africa Command and South Atlantic Security”, V ENABED, Fifth national conference of the Brazilian Association of Defence Studies, Seara Praia Hotel, Fortaleza, Brazil, Monday 8 August 2011*)
Herbert Ekwe-Ekwe
The state in Africa demonstrates a glaring inability to fulfill its basic role to provide security, welfare and trans-formative capacities for society’s developmental needs and aspirations. The state is virtually at war with its peoples, having murdered 15 million in Biafra, Rwanda, Darfur, southern Sudan, Uganda, Guinea-Bissau, the Congos, Angola, Côte d’Ivoire and elsewhere on the continent between 1966 and 2011. Since January 1956, fifty-five years after the beginning of the so-called restoration of African independence process in the Sudan, it is the case that the state in Africa is essentially a genocide-state, the bane of African social existence. It is what constitutes the firestorm of the emergency that threatens the very survival of the African. It is not the “debt”, “poverty”, HIV/Aids/other diseases and the myriad of socioeconomics indices often reeled off in many a commentary.
This state, which the European conqueror-regime (Britain, France, Portugal, Germany, Belgium, Spain) created originally in Berlin in the 1880s, cannot lead Africans to the reconstructive change they deeply yearn for after the tragic history of centuries of foreign occupation and plunder. Such a change was and never is the mission of this state but an instrument to murder, expropriate and despoil Africa by the conquest and its aftermath. As this paper demonstrates, the very presumptions, predilections and exigencies that encapsulate the thinking and strategic goals of the planners of the United States Africa Command, AFRICOM, the subject of this panel at the August 2011 conference of the Brazilian Association of Defence Studies, here in Fortaleza, are based precisely on this evaluation of the utterly unviable ethos of the contemporary Africa state and the palpable, widespread feeling of alienation towards it expressed by most constituent African peoples or nations. In other words, AFRICOM wishes to exploit the critically unresolved seismic crisis within the African political landscape created by the history and devastating consequences of conquest.
Tragically, this is equally the background against which an array of foreign powers and international/transnational institutions or organisations have often acted, with impunity, in African socioeconomic and political affairs and development in the past 55 years, despite this epoch of presumed restoration of African independence and sovereignty. The ongoing flagrant Anglo-Franco-US-led NATO unrelenting aerial and naval bombardment of Libya, which has gone on for four months, and the French-led violent military overthrow of the government of Cote d’Ivoire earlier on in the year, during which an estimated number of 2300 Africans were so ruthlessly murdered, underscore this staggering impunity. Africans, themselves, must therefore resolve the contentious issues generated by the extant genocide-state that fuels the conflictual existence of its peoples before achieving urgently needed socioeconomic transformation. This is an imperative, internal political question, whose answer or solution is also imperatively internal – definitely not external, howsoever the “rationalisation” is construed. Thus, Africans’ own strategic goal for change remains the dismantling of the architecture of alienation and subjugation posed to African existence and progress by the “Berlin state” emplaced. There is no more profoundly urgent case to illustrate this grave emergency in Africa than to focus on the very country from where it first originated. This country goes by the name Nigeria and it is to it that we should now turn.
Igbo genocide and its aftermath – The tragedy of Africa’s unlearned lessons:
In 1966, soon after the world commemorated the 21st anniversary of the liberation of Auschwitz and made the customary, solemn declaration of “Never, Never Again”, Nigeria defiled that season of reflection, commiseration and hope. Its military officers, the police, Hausa-Fulani emirs, muslim clerics and intellectuals, civil servants, journalists, politicians and other public figures planned and executed the Igbo genocide – the foundational genocide of post-(European)conquest Africa. This is also Africa’s most devastating genocide of the 20th century. A total of 3.1 million Igbo people, a quarter of this nation’s population at the time, were murdered between 29 May 1966 and 12 January 1970.
Most of Africa and the world stood by and watched, hardly critical or condemnatory of this wanton destruction of human lives, raping, sacking and plundering of towns, villages, community after community in Biafra and elsewhere... Most Igbo people were slaughtered in their homes, offices, businesses, schools, colleges, hospitals, markets, churches, shrines, farmlands, factories/industrial enterprises, children’s playground, town halls, refugee centres, cars, lorries, and at bus stations, railway stations, airports and on buses, trains and planes and on foot, or starved to death – the openly propagated regime-“weapon” to achieve its heinous goal more speedily. In the end, the Igbo genocide was enforced, devastatingly, by Nigeria’s simultaneously pursued land, aerial and naval blockade and bombardment of Igboland, Africa’s highest population density region outside the Nile Delta. Earlier on in 1945 and 1953, under the very watch of the British occupation, the Hausa-Fulani political leadership had carried out two premeditated pogroms on Igbo immigrant populations in Jos and Kano, cities in north Nigeria, in opposition to the Igbo vanguard role in the struggle for the restoration of the independence of peoples in Nigeria from the British conquest. Hundreds of Igbo were murdered in each occasion and tens of thousands of pounds sterling worth of their property looted or destroyed. Neither in Kano nor Jos did the occupation regime apprehend or prosecute anyone for these massacres and destruction. Tragically, these pogroms turned out as “dress rehearsals” for the 1966-1970 genocide.
The perpetrators, who subsequently seized and pillaged the rich Nigeria economy appear to have got off free from any forms of sanctions from Africa (and the world) for what are, unquestionably, crimes against humanity. The consequences for Africa have been catastrophic. Several regimes elsewhere in Africa are “convinced” of the conclusions that they have drawn from this crime by their Nigerian counterpart: “We can murder targeted constituent people(s) at will within the state we control … Haul off their prized property and livelihood … Comprehensively destroy their cities, towns, villages, communities – precisely their agelong, priceless, inheritance ... There will be no sanctions from Africa – and the world”. As a result, the Igbo genocide becomes the clearing site for the haunting killing fields that would snake across the African geographical landscape in the subsequent 40 years with the murders of additional 12 million Africans, since January 1970, by regimes in further genocide in Rwanda, Darfur and Zaïre/Democratic Republic of Congo and other killings in Liberia, Ethiopia, Congo Republic, Somalia, Uganda, Sierra Leone, Guinea, Guinea-Bissau, Côte d’Ivoire, Chad, south Sudan, Burundi.
Yaki, it isn’t
The records of those who carried out the Igbo genocide make no pretences, offer no excuses, whatsoever, about the goal of their dreadful mission – such was the maniacal insouciance and rabid Igbophobia that propelled this project. The principal language used in the prosecution of the genocide was Hausa. The words of the ghoulish anthem of the genocide, published and broadcast on Kaduna radio and television throughout the duration of the crime, are in Hausa:
Mu je mu kashe nyamiri
Mu kashe maza su da yan maza su
Mu chi mata su da yan mata su
Mu kwashe kaya su
(English translation: Let’s go kill the damned Igbo/Kill off their men and boys/Rape their wives and daughters/Cart off their property)
The Hausa word for war is yaki. Whilst Hausa speakers would employ this word to refer to the involvement/combat services of their grandfathers, fathers, uncles, sons, brothers, other relatives/friends in “Boma” (reference to World War II Burma [contemporary Myanmar] military campaigns/others in southeast Asia, fighting for the British against the Japanese) or even in the post-1960s Africa-based “peace-keeping” military engagements in west, east and central Africa, they rarely use yaki to describe the May 1966-January 1970 mass murders of Igbo people. In Hausaspeak, the latter is either referred to as lokochi mu kashe nyamiri (English: “when we murdered the damned Igbo”) or lokochi muna kashe nyamiri (English: “when we were murdering the damned Igbo”). Pointedly, this lokochi (when, time) conflates the timeframes that encapsulate the two phases of the genocide (May 1966-October 1966 and July 1967-January 1970), a reminder, if one is required, for those who bizarrely, if not mischievously, wish to break this organic link.
Elsewhere, genocidist documentation on this crime is equally malevolent and brazenly vulgar. A study of the genocide-time/“post”-genocide era interviews, comments, broadcasts and writings on the campaign by key genocidist commanders, commandants and “theorists” and propagandists including particularly Yakubu Danjuma, Ibrahim Haruna, Yakubu Gowon, Benjamin Adekunle, Olusegun Obasanjo, Oluwole Rotimi, Obafemi Awolowo, Allison Ayida and Anthony Enaharo is at once revealing and profoundly troubling. Adekunle, a notoriously gruesome commander, had no qualms, indeed, in boasting about the goal of this horrendous mission when he told an August 1968 press conference, attended by journalists including those from the international media: “We shoot at everything that moves, and when our forces march into the centre of I[g]bo territory, we shoot at everything, even at things that do not move”. True to type, Adekunle duly carried through his threat with clinical precision both on his “everything that moves”-targeting, especially in south Igboland where his forces slaughtered hundreds of thousands, and on the “things that do not move”-assault category. Adekunle’s gratuitous destruction of the famed Igbo economic infrastructure, one of the most advanced in Africa of the era, was indescribably barbaric. A brief review of Olusegun Obasanjo’s own contribution (published in his memoirs, pointedly captioned My Command) that focuses on his May 1969 direct orders to his air force to destroy an international Red Cross aircraft carrying relief supplies to the encircled and blockaded Igbo is crucially appropriate. Obasanjo had “challenged”, to quote his words, Captain Gbadomosi King (genocidist air force pilot), who he had known since 1966, to “produce results” in stopping further international relief flight deliveries to the Igbo. Within a week of his infamous challenge, 5 June 1969, Obasanjo recalls nostalgically, Gbadomosi King “redeemed his promise”. Gbadomosi King had shot down a clearly marked, incoming relief-bearing International Committee of the Red Cross DC-7 plane near Eket, south Biafra, with the loss of its 3-person crew. Obasanjo’s perverse satisfaction over the aftermath of this horrendous crime is fiendish, chillingly revolting. He writes: “The effect of [this] singular achievement of the Air Force especially on 3 Marine Commando Division [the notorious unit Obasanjo, who later becomes Nigeria’s head of regime for 11 years, commanded] was profound. It raised morale of all service personnel, especially of the Air Force detachment concerned and the troops they supported in [my] 3 Marine Commando Division”. Yet despite the huffing and puffing, the raving commanding brute is essentially a coward who lacks the courage to face up to a world totally outraged by his gruesome crime. Instead, Obasanjo, the quintessential Caliban, cringes into a stupor and beacons to his Prospero, British Prime Minister Harold Wilson (as he, Obansanjo, indeed unashamedly acknowledges in his My Command), to “sort out” the raging international outcry generated by the destruction of the ICRC plane...
What “internal affair”? Whose “internal affair”?
There was an extensive coverage of the Igbo genocide in the international media throughout its duration. The United Nations though never condemned this atrocity unequivocally. U Thant, its secretary-general, consistently maintained that it was a “Nigerian internal affair”. The United Nations could have stopped this genocide; the United Nations should have stopped this genocide instead of protecting the interests of the Nigeria state, the very perpetrator of the crime. In the wake of the Jewish genocide of the 1930s-1940s during which 6 million Jews were murdered by Nazi Germany, Africa was, with hindsight, most cruelly unlucky to have been the “testing ground” for the presumed global community’s resolve to fight genocide subsequently, particularly after the 1948 historic United Nations declaration on this crime against humanity. Only a few would have failed to note that U Thant’s reference to “internal” was staggeringly disingenuous as genocide, as was demonstrated devastatingly 20-30 years earlier on in Europe, would of course occur within some territoriality (“internal”) where the perpetrator exercises a permanent or limited or partial or temporary sociopolitical control (cf. Nazi Germany and its programme to destroy its Jewish population within Germany itself; Nazi Germany and its programme to destroy Jewish populations within those countries in Europe under its occupation from 1939 and 1945). Between 1966 and 2006, the world would witness genocide carried out against the Igbo, the Tutsi/some Hutu, and Darfuri in “internal” spaces that go by the names Nigeria, Rwanda, and the Sudan respectively. The contours of the territory where genocide is executed do not therefore make the perpetrators less culpable nor the crime permissible as the United Nations’s crucial 1948 genocide declaration states unambiguously.
The very central role played by Britain in support of the Igbo genocide no doubt reinforced the scandalous failure of the United Nations to protect Igbo people during this catastrophe. Britain, a fully-fledged member of the United Nations – indeed a founding member of the organisation who enjoys a permanent seat on its security council and participated in drafting the anti-genocide declaration – supported the Igbo genocide militarily, politically and diplomatically. It is extraordinary that in his otherwise informative study, Crimes Against Humanity: The Struggle for Global Justice (London: Penguin Books, 2006), Geoffrey Robertson, a British human rights lawyer, a queen’s counsel, does not discuss the Igbo genocide anywhere in his 759-page text nor Britain’s instrumental role in perpetrating this foundational genocide of post-(European)conquest Africa.
Britain was deeply riled by the Igbo lead-role in terminating its occupation of Nigeria and had since sought to “punish” them for this. A senior British foreign office official was adamant that his government’s position on international relief supply effort to the encircled and bombarded Igbo was to “show conspicuous zeal in relief while in fact letting the little buggers starve out”. Indeed as the slaughtering of the Igbo progressively worsened, Prime Minister Wilson was unashamedly unfazed when he informed Clyde Ferguson (United States State Department special coordinator for relief to Biafra) that he, Harold Wilson, “would accept a half million dead Biafrans if that was what it took” Nigeria to destroy the Igbo resistance to the genocide. Such was the grotesquely expressed diminution of African life made by a supposedly leading politician of the world of the 1960s – barely 20 years after the deplorable perpetration of the Jewish genocide. As the final tally of its murder of the Igbo demonstrates, Nigeria probably had the perverted satisfaction of having performed far in excess of Harold Wilson’s grim target… Predictably, it was to Wilson that the Nigerians turned to, in 1969, to “sort out” the international revulsion generated by the latter’s destruction of the ICRC aircraft as we have already stated.
Arms ban
Without British active involvement in the perpetration of the Igbo genocide, it was highly unlikely that this crime would have been committed. Nigeria did not have an arms-manufacturing capacity then to embark on this terror without external support. Forty-five years on, Nigeria still does not have such an internal military capability. It still relies heavily on Britain, currently the world’s leading arms exporter to Africa, for its supplies.
One immediate move that Britain, the West, and the rest of the world, including Brazil, particularly, can make to support the ongoing efforts by peoples in Nigeria and elsewhere in Africa to rid themselves of the genocide-state is to ban all arms sales to Nigeria and the rest of Africa. This ban must be total and comprehensive. Nigeria and other Africa genocide-states require the political and diplomatic support from abroad and the deadly array of arms ever streaming into their arsenal from Britain and elsewhere to exist and terrorise the people(s) in their territories. This is part of the cardinal and enduring lessons of the Igbo genocide. The legacy has, in fact, been catastrophic and feeds into the overarching strategic permutations of AFRICOM which the latter, in turn, exploits.
A total and comprehensive arms ban on Africa will radically advance the current hectic quest on the ground by peoples across the continent to construct democratic and extensively decentralised new state forms that guarantee and safeguard human rights, equality and freedom for individuals and peoples – alternatives to the extant genocide-state. Africans know very well that there are alternatives to the genocide-state. They have both the vision and the capacity to create these alternatives. For Africans, indeed, the creation of these alternatives is imperative in this age of pestilence. Nothing else.
*I wish to thank Professors Mônica Dias Martins (Universidade Estadual do Ceará, Fortaleza), Sued de Castro Lima (Observatório das Nacionalidades), Manuel Domingos Neto (Univeridade Federal Fluminense) and Gustavo Raposo Pereira Feitosa (Universidade de Fortaleza) for an excellently organised and successful conference and for their immense hospitality during my visit to Fortaleza. Obrigado. Tchau!
Herbert Ekwe-Ekwe is the author of Readings from Reading: Essays on African Politics, Genocide, Literature (African Renaissance, 2011) which is available at amazon.com (US$29.95), Barnes & Noble (US$29.95), amazon.co.uk (£19.95) and elsewhere.
Wednesday, July 13, 2011
Q & A Interview With Novelist Alretha Thomas
An author, playwright, producer and director, Alretha Thomas is making her name through her pen. Award winning plays and wanting to help her community, Alretha’s background is as diverse as her personality. She started at the age of ten, when her 5th grade teacher picked and read her short story assignment in front of the class – that simple, loving act empowered a new writer. Continuing in high school, her numerous original oratorical conquests on the Speech Team led her to a journalism concentration at the University of Southern California. Upon graduating, Alretha soon realized that her interest in journalism was not heartfelt. While at the taping of a live sitcom, the producer noticed her and encouraged her hand at modeling. Modeling didn’t mean much to her, but it did lead her to acting and a NAACP Theatre Award Nomination (1993) for BEST ACTRESS. She feels that this acting stint gave her more fuel to write, and particularly, a better understanding of character development.
Alretha left acting and began to write full time. Her church gave her an outlet to fulfill her writing desires through their Liturgical Fine Arts Department wherein Alretha penned twelve theatre pieces - the community response was overwhelming. This led to full length plays outside of the church including Alretha’s play, Sacrificing Simone (2007) which had a successful run at Stage 52 in Los Angeles and was called “an inspirational crowd pleaser” by the Los Angeles Times and her most recent work, the ground breaking One, Woman Two Lives, starring Kellita Smith (The Bernie Mac Show), directed by Denise Dowse, which garnered rave reviews from critics and audiences. In between plays, Alretha’s first novel "Daughter Denied" was launched in 2008.
Excerpt:
In what environment did you start putting “Dancing Her Dreams Away” together?
“Dancing Her Dreams Away,” had an unusual evolution. I actually had planned to write the sequel to my debut novel, “Daughter Denied.” By the way, I’m not sure why I come up with these titles that feature double “D’s.” LOL. The sequel to “Daughter Denied” was going to be named “Daughter Denied Again” and I finished the novel early last year. It numbered over 300 pages. Unfortunately, after getting feedback and giving it an objective look, it was a mess. It had no heart and structurally it was just off and unsalvageable. I had written the novel from my head and not my heart. It was painful, but I trashed it and almost gave up on writing. But the dream would not die, if you will, and I took some time to reassess my writing endeavors. I decided to take a stab at another book and committed myself to writing something that I could connect to. I reflected on my life and realized I have had some very interesting experiences. One of which, was the time I was pursuing acting and I needed a night job. So like the character in my book, I got a job as a dance hostess in a taxi-dancing club. They still exist and were very popular in the 20’s and 30’s. It’s a place where men pay by the minute to dance and talk with women. There’s no nudity, touching, or alcohol. At least not on the premises. LOL. Like the character, I was only 21-years-old and like the character, I was desperate to be this famous actress, because I needed something to complete me, validate me. Growing up in an abusive situation, I had no self-esteem and like Shelia, in “Dancing Her Dreams Away,” I thought being a famous actress would complete me. Because I could tap into those feelings, I decided that would be the book I would write. A book about a young woman who has no sense of her real self, determined to become a famous actress, and her determination coupled with her desperation, makes her vulnerable to situations that could possibly be life-threatening.
And how did you arrive to conclusion it should be put into a book?
As mentioned earlier, my ultimate goal was to write a second novel and I had planned to write the sequel to my debut novel “Daughter Denied,” but ended up writing “Dancing Her Dreams Away.”
What were your doubts at the time of penning and putting a well conceived,magnificent characters -- Shelia King and Gregory Livingston III -- together?
In reference to Shelia, I did have some concerns regarding how she would be portrayed, because she is definitely very similar to me when I was her age. I questioned where I was going to take her on the journey and how deep I would go. As a writer, people always assume you’re one or more of the characters in your book and usually they’re correct. You may not be an exact version of a character, but usually there are some similarities. Like Shelia, I worked at a taxi-dancing club while pursuing acting and like Shelia; I ended up abusing alcohol and drugs. I thought a great deal about how I would approach Shelia’s alcoholism and I knew that if I wrote it true to form people would wonder how I knew so much. It’s my hope that people will find act three of the book educational. I also had doubts about how to present Shelia. There have been comments about Shelia being too naïve. However, in writing her, I wanted to convey that it’s not her naiveté that gets her in trouble, but her desperation to make it as an actress. She sees things, but she chooses to turn a blind eye so that she can get what she wants. However, as she soon learns, there’s a price to pay. Gregory, on the other hand is totally fictional. I mean, I’ve dated and encountered men who were single and secretive, but not on Gregory’s level. It was fun writing him, but challenging as well because of who he turns out to be. I argued for days with a friend of mine who questioned my choices about Gregory, but I had to be true to myself and the character. I want to say more, but I don’t want to give away the story.
What would you have done differently assuming you did not complete the book?
There’s no way I could even let myself think about not completing the book. I am a true writer and when a book has been conceived, and I carry it to full term, it has to be born!
Let’s talk about your previous projects before “Dancing Her Dreams Away.” “Daughter Denied,” I understand was a dream project for the fact it was your debut novel and a sequel was expected. With such a compelling story how come we did not see a sequel? What happened?
"Daughter Denied" was my first child, and I had always dreamed of writing a novel about a young girl who endures hardship, but grows up to be a successful woman. It is inspired by my childhood. Readers fell in love with the protagonist Tina, and wanted me to write a sequel, and as I mentioned earlier, I attempted a sequel, but just could not connect to it emotionally. I’m hoping that in the near future I may be inspired to write the sequel.
You acknowledge leaving acting and devoting your full time to writing. Tough decision, and what was the motivation?
The last time I set foot on a stage or in front of a camera was in 1991. I was going through a lot emotionally and spiritually and needed time to step away from acting. I needed to get grounded and rooted in my walk with God. I was drinking more than I cared to and needed to take stock of my life. I joined a 12-Step Program, got back in church, and a few years later started writing plays for my church. They were such a hit that I also began writing plays for the community and the rest as they say is history.
Let’s talk about plays and the theater arts. What plays are you working on now besides your devotion to writing?
My last play was “One Woman, Two Lives,” and it starred Kellita Smith of “The Bernie Mac Show.” It debuted in 2009 in Los Angeles and Upland, California. It was a huge hit and it’s my hope to bring it back to the stage. Additionally, I have written a play called “Mommie and Clyde” about a couple who grew up together and who have spent their entire life participating in get-rich-quick schemes. Clyde thinks he’s finally hit the lottery when he meets a rich woman and convinces her to marry him. However, he has plans for the honeymoon, deadly plans, if you get my drift. I love this play. There are four characters. Clyde and Belinda. Belinda’s brother Zack and Katrina, the wealthy woman. It’s basically a romantic comedy. I would love to have this play produced.
Based on your experience now in the literary world, what would be your advice to would be writers and sending the message in terms of the craft?
Never give up and that’s difficult to do, because there is so much competition and rejection. Believe in yourself and the story you’re telling and be open to constructive criticism. I am still growing as an author and a playwright. I’m a work-in-progress.
How are the reviews and the book on the shelves?
The reviews for “Dancing Her Dreams Away” have been fantastic. Mostly five-star and people get the story. Here’s a few snippets.
“Alretha creates a storyline that's believable. The reader will keep turning the pages to see what happens to Shelia's dreams. Wonderful second novel from Ms. Thomas.”
Ladies of Color Turning Pages Book Club (Los Angeles, California)
“Dancing Her Dreams Away is filled with romance, drama, suspense, and mystery that will keep you glued to the pages. Ms. Thomas has done a wonderful job in developing the characters. This one is a must read!!”
Divas Read 2 Book Club (Dallas, Texas)
“You won't be able to put this book down and after reading it, you will have much to think and talk about.”
Real Women Read Books (New York, New York)
“Kudos to Alretha for another literary winner. She has definitely showed her ability to tell a good story and lead the reader to think in the process.”
Conversations Book Club (Jackson, Mississippi)
Book sales are okay, but there’s always room for improvement. Please, please, readers, get your copy of “Dancing Her Dreams Away.” I thank you in advance. The book is available now on www.Amazon.com.
Like the book portrays, how about a movie deal?
I would love for “Dancing Her Dreams Away” to be optioned for a movie! Please spread the word and let me know if anyone is interested. It would make a fantastic film. I could see the actor Idris Elba playing the role of Gregory Livingston III and perhaps an unknown for the part of Shelia. It would be a dream come true, and I would love to help pen the screenplay and be apart of the movie making process from beginning to end. From your lips to God’s ears!
You can get more information about me and “Dancing Her Dreams Away” at the following online locations: TWITTER, FACEBOOK, "DANCING HER DREAMS AWAY"
Synopsis:Shelia King, a fun-loving grandma’s girl, needs to keep her days open for auditions in the hope of landing a role that will catapult her to stardom. With the threat of eviction looming, she scrambles to find a night job and convinces the owner of a hostess club to hire her. Now she’s a dance-partner-for-hire by night and struggling thespian by day. When her agent pitches a topless role, fearing her grandmother’s disapproval, Shelia declines. But after setbacks and considerable thought, she agrees to meet the producer. Gregory Livingston III is rich, suave, ridiculously fine, and the panacea for Shelia’s career woes. At first sight she shapes plans to win the role and his heart. She gets both and works hard to give an Oscar worthy performance. However, when the movie wraps, nothing can prepare her for the startling revelations about Greg’s past and the aftermath of a dream gone awry.
Saturday, June 4, 2011
New Book by Herbert Ekwe-Ekwe
Herbert Ekwe-Ekwe, Readings from Reading: Essays on African Politics, Genocide, Literature (Dakar & Reading: African Renaissance, 2011), ISBN 9780955205019, paperback, 236pp., £19.95/US$29.95

The essays here in Readings from Reading underscore Herbert Ekwe-Ekwe’s continuing optimism about the possibilities of Africans constructing post-“Berlin-states” as the launch pad to transform the topography of the African renaissance. Readings from Reading is a timely publication, coming on the eve of the historic January 2011 referendum in south Sudan in which the people of the region will choose to vote to restore their national independence or get stuck hopelessly in the Sudan, the first of the “Berlin-states” that Africans tragically “inherited” in January 1956. Ekwe-Ekwe insists that the contemporary Africa state, imposed on Africans by a band of European conqueror-states and currently run by what the author describes as a “shard of disreputable African regimes to exploit and despoil the continent’s human and material resources”, cannot serve African interests. The legacy, as this study demonstrates, has indeed been catastrophic: “The [African] overseers pushed the states into even deeper depths of genocidal and kakistocratic notoriety in the past 54 years as the grim examples of particularly Nigeria, the Democratic Republic of the Congo and the Sudan ... depressingly underscore. 15 million Africans have been murdered by African-led regimes in these states and elsewhere in Africa since the Igbo genocide of 1966-1970”.
This is an engaging, incisive, wide-ranging and multidisciplinary discourse, salient features that have come to define Ekwe-Ekwe’s groundbreaking scholarship of the past three decades. The author covers an assemblage of diverse topics and themes which include the Igbo genocide, the Jos massacres in central Nigeria, Umar Farouk Abdul Mutallab’s failed attempt to blow up an incoming aircraft over Detroit on Christmas Day 2009, African presence in Britain, Robert Mugabe, Muammar Gaddafi, Obafemi Awolowo, Omar al-Bashir, Yoweri Museveni, Charles Taylor, Olusegun Obasanjo, Ali Mazrui, Andrew Young, the G8 and Africa, Africa “debt”, African émigrés’ remittances to Africa, “sub-Sahara Africa”, reparations to Africans, African representation on the UN Security Council, African choices for the Nobel Peace Prize, Africa and the International Criminal Court, Nigeria, Côte d’Ivoire, Kenya, the Sudan and the Congo, arms to Africa, arms-ban on Africa. Finally, on the subject of the restoration-of-independence, the key connecting thread that links all the visitations, Ekwe-Ekwe critically examines the contributions made variously on this cord by an impressive line up of some of the very best and brightest of African intellectuals: Achebe, Adichie, Césaire, Damas, Coltrane, Diop, Equiano, Ngũgĩ, Okigbo, Senghor.
Worldwide sales and distribution
African Books Collective
P O Box 721
Oxford OX1 9EN
England
Tel/Fax: 44 (0) 1869 349110
orders@africanbookscollective.com
Readings from Reading is also available from
1. Amazon UK
2. Amazon

The essays here in Readings from Reading underscore Herbert Ekwe-Ekwe’s continuing optimism about the possibilities of Africans constructing post-“Berlin-states” as the launch pad to transform the topography of the African renaissance. Readings from Reading is a timely publication, coming on the eve of the historic January 2011 referendum in south Sudan in which the people of the region will choose to vote to restore their national independence or get stuck hopelessly in the Sudan, the first of the “Berlin-states” that Africans tragically “inherited” in January 1956. Ekwe-Ekwe insists that the contemporary Africa state, imposed on Africans by a band of European conqueror-states and currently run by what the author describes as a “shard of disreputable African regimes to exploit and despoil the continent’s human and material resources”, cannot serve African interests. The legacy, as this study demonstrates, has indeed been catastrophic: “The [African] overseers pushed the states into even deeper depths of genocidal and kakistocratic notoriety in the past 54 years as the grim examples of particularly Nigeria, the Democratic Republic of the Congo and the Sudan ... depressingly underscore. 15 million Africans have been murdered by African-led regimes in these states and elsewhere in Africa since the Igbo genocide of 1966-1970”.
This is an engaging, incisive, wide-ranging and multidisciplinary discourse, salient features that have come to define Ekwe-Ekwe’s groundbreaking scholarship of the past three decades. The author covers an assemblage of diverse topics and themes which include the Igbo genocide, the Jos massacres in central Nigeria, Umar Farouk Abdul Mutallab’s failed attempt to blow up an incoming aircraft over Detroit on Christmas Day 2009, African presence in Britain, Robert Mugabe, Muammar Gaddafi, Obafemi Awolowo, Omar al-Bashir, Yoweri Museveni, Charles Taylor, Olusegun Obasanjo, Ali Mazrui, Andrew Young, the G8 and Africa, Africa “debt”, African émigrés’ remittances to Africa, “sub-Sahara Africa”, reparations to Africans, African representation on the UN Security Council, African choices for the Nobel Peace Prize, Africa and the International Criminal Court, Nigeria, Côte d’Ivoire, Kenya, the Sudan and the Congo, arms to Africa, arms-ban on Africa. Finally, on the subject of the restoration-of-independence, the key connecting thread that links all the visitations, Ekwe-Ekwe critically examines the contributions made variously on this cord by an impressive line up of some of the very best and brightest of African intellectuals: Achebe, Adichie, Césaire, Damas, Coltrane, Diop, Equiano, Ngũgĩ, Okigbo, Senghor.
Worldwide sales and distribution
African Books Collective
P O Box 721
Oxford OX1 9EN
England
Tel/Fax: 44 (0) 1869 349110
orders@africanbookscollective.com
Readings from Reading is also available from
1. Amazon UK
2. Amazon
Monday, April 18, 2011
Interview with Ngozi Achebe

Ngozi Achebe was born in England by Augustine Ndubuisi Achebe and Matilda Chikodili Achebe. She was raised in Nigeria and also spent time in Englnd, her place of birth. She picked up interest in 15th and 16th Century West African history in which she was inspired for writing Onaedo - The Blacksmith's Daughter, her debut novel. In this interview published exclusively at Life & Time Magazine, she talks about her debut novel and other challenging issues.
Excerpt:
Before we proceed in this interview, we would like to know who you are.
I was born in London to an engineer Augustine Achebe and his wife a Matilda, a nurse. I was raised in Nigeria and later when I became a medical doctor I did go back to England to do further training. Then I came over to the USA to be close to my sisters who had come over earlier. I still have a full time medical practice.
I also have two children Jennifer and Nnamdi who are always my first priority in all I do.
The moment you created in your thoughts penning “Onaedo: The Blacksmith’s Daughter,” what went through your mind, and the environment in which this compelling novel began?
I have always been fascinated by fifteenth and sixteenth century West Africa, the period just around the Portuguese arrival; a period that is unfortunately not taught very well in Nigeria. I imagine what one group must have thought of the other without looking only through the prism of slavery. It all came from this curiosity to know more and share my findings in a dramatic way. Hence Onaedo.
You are in the medical arts, and one would expect you should be writing on the profession you were trained. How and why did you pick up the idea to write about a world of strong women and culture conflicts which the novel depicts?
When I started researching the story I felt I had to create characters that everybody could identify with. Even if you were not African you knew this father, this brother, this aunt this young woman. An ancient story with a modern dimension. We are not so different after all.
Let’s talk about “Onaedo: The Blacksmith’s Daughter,” from Chapter 1 through 8 and a 16th Century West Africa explored by the Portuguese. First, why 16th Century West Africa, tracing back to the Portuguese exploration and the slave trade?
The Portuguese age of exploration and its impact on the African continent, is a poorly told story in Nigeria, at least in the schools I went to. I wanted to tell this story from a view point that is not often heard. I really wanted people to see how fascinating that whole period was, to see that everything was not all black and white, but was also in varying shades of gray.
The characters are amazing and very familiar with ones upbringing, How did you come up with all these characters like Amechi, Udemezue, Adanma, Dualo, Oguebie, Eneda, Ugodi and the rest in a storytelling typical of growing up in the woods, and a story that had the same resemblance of a commune and a normal village life from around how one grew up?
I did grow up in the woods! During the Nigerian/Biafran civil war we all escaped into the interior, and there my siblings and I experienced village life first hand. It was fascinating and I’m thankful I had that opportunity for this total immersion in this culture even though I could have done without the war part! All those characters are familiar - they are our everyday friends, relatives and acquaintances.
Now that your juiced novel “Onaedo: The Blacksmith’s Daughter” has done pretty much well as I can tell, coupled with the reviews which is still overwhelmingly pouring in, what should we be looking for in your next project? A storytelling-fictional characters, or something of a non-fictional characters like the pogrom, life events, and, or biography, or maybe some unpublished works, sort of?
My next project, now in later stages of completion, is a coming of age novel, about a girl growing up in the midst of a war. It is purely fictional but is based on some experiences of mine and others during the period of the civil war that engulfed Nigeria in the 60’s leading to the creation of the short-lived republic of Biafra which was in south eastern Nigeria. I’m excited about it, because it has been a labor of love. I was writing it before I diverted into ‘Onaedo’. I also have other works in progress but will not talk about them yet.
We discussed in several occasions about the pogrom and civil war in your native land, and how vile that was while back from London which I’m still sure you remember what it looked like. Besides the novel “Onaedo: The Blacksmith’s Daughter”, could you tell us a little bit about your experience as a child and why horrors of war especially the most blood soaked event in Africa, the anti-Igbo pogrom, must not cease to be told?
War is never good and a fratricidal one such as the Nigerian/Biafran war is even worse. It was a sad time. A government should protect its own citizens from atrocity otherwise it is not really a government at all. The Nigerian government then failed to do so for one section of its population and failed to stop the genocide that took place. I was a child at the time but I remember the anguish of it all. We should tell these stories so that never, never again. Evil pervades when good men do nothing. I want to believe we have come a long way from that.
Besides your profession as a medical doctor and your passion to pen down your thoughts as in “Onaedo: The Blacksmith’s Daughter,” what else fascinates you as in passion and things like that?
I love to hike and explore especially with family. I try to be as physical as possible, and as a medical doctor, I try to lead a healthy life so I’m an example to my patients. I’m also an avid reader. I used to draw and paint at one time but I wasn’t that good at it, so I gave it up. My sisters loved them though and a few hang still in their homes and offices.
Did your Uncle Chinua Achebe’s works inspire you to follow the literary giant’s footsteps?
I have been asked that question often and the answer has to be yes .Growing up in his shadow has been a great influence in my life. My one regret is not starting early to get my work published but my people have a saying that whatever time in the day you wake up, becomes your own morning.
I read your uncle Chinua Achebe’s piece “Nigeria’s Promise, Africa’s Hope” for the New York Times and he seems to be still angry regarding the state of affairs in a African national state. Uncle Chinua Achebe writes:
“In my mind, there are two parts to the story of the African peoples ... the rain beating us obviously goes back at least half a millennium. And what is happening in Africa today is a result of what has been going on for 400 or 500 years, from the “discovery” of Africa by Europe, through the period of darkness that engulfed the continent during the trans-Atlantic slave trade and through the Berlin Conference of 1885. That controversial gathering of the leading European powers, which precipitated the “scramble for Africa,” we all know, took place without African consultation or representation. It created new boundaries in ancient kingdoms, and nation-states resulting in disjointed, inexplicable, tension-prone countries today.”
What’s your take on Uncle Chinua Achebe’s comment? Are his comments still relevant today and how the flow has changed over time?
I agree that European colonialism did not augur well for Africans, however I also believe that despite all those early missteps that we should have fashioned our own path by now. A country like Nigeria blessed with rich resources and people should have done better at fifty years of independence. Some of our wounds I’m afraid are self-inflicted. Uncle Chinua speaks passionately for Nigeria at all times and his disappointment is palpable. He is of a generation that dreamed big dreams for us and most of it has remained unrealized.
What do you think Uncle Chinua Achebe’s talking about here, and why is he still angry despite the novel “Things Fall Apart,” over fifty years ago that had foretold the social problems in such a society?
I think his novel ‘A Man of The People’ is even more relevant in speaking to how far or not we have traveled. I read that book again recently and it was difficult for me to believe that that book was written in 1966. It’s like Nigeria hasn’t moved, hasn’t made significant progress in social and economic justice for the average Nigerian in over 40 years. It’s even worse today because there has been a systematic wipe out of the middle class which was not the case in 1966. It’s really a crying shame.
Did you see yourself putting up characters in the novel “Onaedo: The Blacksmith’s Daughter?
I did try to dissociate myself from the characters but as a writer there’s always a part of you in one or two of your characters. I don’t fight it; I just go with the flow of whatever works to bring a character to life.
What do people around you tell you about the novel “Onaedo: The Blacksmith’s Daughter”?
Most say they love it, a few tell me what I should remedy or what I didn’t get right, how I should have made this person do this or that person do the other. I take it all in good humor. I appreciate each reader and each critic or critique no matter how outlandish - and I have had a few of those! It makes me all around, a better writer.
How about a movie deal on “Onaedo”?
I’m all ears! If it comes, I will be ready.
Sunday, December 13, 2009
Ehirim Files Mind Power from the University Presses and other Publications
The Clinton Tapes: Wrestling History With The President By Taylor Branch, Simon Schuster, New York: 707pp; $35.00"Taylor Branch admires Clinton within reason, but when there are two sides to an argument he is apt to see things from Clinton's point of view. He conveys well the vituperative rage of the Republicsns at Clinton's theft of their 'small is better' programs and the anti-government rhetoric that had been their sole argument alive resource. The climatic episode here was the repeal of much of the welfare system and substitution of work requirements; a decision on which Branch comments too briefly.'"
-------David Bromwich, The New York Review of Books
Booker T. Washington: Black Leadership in the age of Jim Crow by Raymond W. Smock, Ivan R. Dee/Rowman & Littlefield Publishing Group"The co-editor of the Booker T. Washington Papers reconsiders the man who rose from slavery to a position of power and influence that no black leader had achieved in American history. Mr Smock sees him as a field general in a war of racial survival, his 'compromise' a practical attempt to solve an immense problem. 'A masterwork of concision and compacted power.'"
-------Donald L. Miller, Library of African American Biography.
Boxing: A Cultural History by Kasia Boddy, The University of Chicago Press; 492pp, $29.95"At nearly five hundred densely packed pages...boxing would seem to include everything that has ever been written, dipicted or in any way recorded about boxing... As Kasia Boddy's masterwork of bricolage sweeps on, there comes to be something wonderfully Joycean -- oceanic, indefatigable, slightly deranged -- in the very quantity of data she has amassed. To read Boddy's book is to confront dozens -- hundreds? -- of inspired mini-essays."
-------Joyce Carol Oates, The New York Review of Books.
Journalism's Roving Eye: A History of American Foreign Reporting by John Maxwell Hamilton; Louisiana State University Press, $45.00"Hamilton, a former fereign correspondent and public servant who is currently dean at Louisiana State University's Manship School Mass Commubnication, spurns plodding narrative in favor of an intelligent tour, full of unexpected pleasures and plums. Where else might we stumble across a reporter's account of the Battle of New Orleans? Or the Senior James Gordon Bennett's sharp-edged view of the coronation of Queen Victoria?"
-------James Boylan, Founding Editor of the Columbia Journalism Review and Professor Emeritus of Journalism and History at the University of Massachusetts, Armherst.
The Maudlin Impression: English Literary Images of Mary Magdalene, 1550-1700; by Patricia Badir, University of Notre Dame Press, 320ppm $40.00"[Badir's] fascinating narrative traces the evolution of the Magdalene from the Reformation to the Restoration and raises provocative questions about the mnemonic function of religious art, the power of beautiful images in an iconoclastic culture, and the place of effect, longing, and embodiment in aProtestant poetics."
-------Huston Diehl, University of Iowa
D-Day: The Battle of Normandy by Anthony Beevor, Pengium, London, 608pp, $32.95
"With Stalingrad, Anthony Beevor reinvented grand narrative history for the late 20th Century, combining, as Orlando Figes put it in the Sunday Telegraph 'a soldiers understanding of war with the narrative of a novelist.' Now he brings that characteristic combination of skills to bear on the D-Day landings and the subsequent battle for Normandy, when the largest invasion fleet the world had ever known converged on Nazi-occupied France."
-------London Review of Books
My Paper Chase: True Stories of Vanished Times by Harold Evans, Little, Brown & Company; New York: 580pp, $27.99
"The 'Vanished Times' of the subtitle speak to an era when journalists made things, part of a complicated daily manufacturing apparatus of typesetting and printing that always ended in the satisfying plop of a physical object...No one was more satisfied than Evans, who saw in newspapers a route out of those humble, stout beginings that crop up again in narratives that hew to the Great Man theory of history. (It made sense that Evans would go on to write 'The American Century' and 'They Made America,' works that suggest history was made by those with their hands on the levers of wondrous machines).'"
"Harold Evans remains one of the great figures of modern journalism...His auto-biography is both gripping and timely."
-------The Economist
The Preacher and the Politician: Jeremiah Wright, Barack Obama and Race in America by Clarence E. Walker and Gregory D. Smithers; University of Virginia Press, $22.95
"This stimulating discussion brings needed historical perspective to 2008's election season brouhaha over then candidate Obama's longtime minister, Wright, who was lambasted for making what we were widely considered to be racially divisive remarks from his pulpit after September 11."
-------Publishers Weekly
Sunday, December 6, 2009
Ehirim Files Reads from Africa and other African-Related Publications
Constitutional Rights in Two Worlds: South Africa and the United States by Mark Kende; Cambridge University Press, 2009, 317 pp, $35.99"A fascinating, original, and genuinely important book, illuminating not only the South Africa and American constitution, but constitutional theory and practice in general."
--------Cass Sunstein, Head of the White House/s Office of Information and Regulatory Affairs.
Becoming Zimbabwe: A History from the Pre-Colonial Period to 2008 by Brian Raftopoulos and Alois Mlambo, Weaver Press; Harare, 296pp $30.95"Becoming Zimbabwe is the first comprehensive history of Zimbabwe, spanning the years from 850 to 2008. In 1997, the Secretary General of the Zimbabwe Congress of Trade Unions, Morgan Tsuangiral, expressed the need for more open and critical process of writing history in Zimbabwe... a profoundly new history of Zimbabwe that tears apart all of the old certainties."
-------David Monroe, Associate Professor of Development Studies, University of Johannesburg, and author of the World Bank: Development, Poverty, Hegemony
Genuine Intellectuals: Academic and Social Responsibilities in Africa by Bernard Nsokika Fonlon; Lang Ripcig, Cameroon: 172pp $27.99"Bernard Fonlon... believed in public service with selfless dedication and unwavering integrity... He was educated in the classical mould of Europe, yet he remained close to home in his daily life."
-------Professor Aliko Songolo, UC Irvine
Wrong Place, Wrong Time: Trauma and Violence in the Lives of Young Black Men by John A. Rich, MD; M.P.H. The Johns Hopkins University Press"John Rich, who has devoted so much of his career to the study of violence -- especially in men of color -- challenges us to see beyond the injuries and the anger and to hear and appreciate the plight of these men and to understand that they, like us, seek a place of safety in their lives."
-------David Satcher, MD, Ph.D., 16th Surgeon General of the United States
Nairobi to Shenzhen By Mark Okoth Obama Ndesandjo"As with the president's best-selling memoir, 'Dreams From My Father," Ndesanjo's book delves into growing up as a mixed-race child and into a psyche shaped by an erratic father. 'My father beat my mother and my father beat me,' Ndesandjo told the Associated Press...'I remember situations when I was growing up, and there would be a light coming from our living room, and I could hear thuds and screams, and my father's voice and my mother shouting.' Although strictly autobiographical, the novel skips over the part where the protagonists half brother is elected president of the Uniterd States. 'I didn't want to take on any strong political themes in this book,' Ndesandjo said. His mention of the president: 'I think my brother's team is doing an extraordinary job.' Barrack Obama Sr. died in 1982 and the half brothers did not know each other as children.'"
-------Barbara Demick, Los Angeles Times
Terrorism: The Self-Fulfilling Prophecy by Joseph Zulaika; The University of Chicago Press, $20.00
"This is by far the best book on terrorism I have read for many years. In its systematic deconstruction of counter-terrorism ideology and its call to take terrosrist subjectivity seriously, this is a book of tremendous importance. Terrorism is incredibly rich in analysis and insight - I have no doubt that readers will be mining it for new ideas for many years to come."
-------Richard Jackson, Abenystwyth
Schooling Citizens: The Struggle for African American Education in Antebellum America byHilary J. Moss, The University of Chicago Press, $37.50
"I cannot think of any other book that is like Scooling Citizens, which makes an important contribution both to the historiography of African Americans and to the history of education in America. Well-written and well-argued, this book is an original contribution to scholarship."
-------Shane White, author of Stories of Freedom in Black New York
Creating a World Without Poverty: Social Business and the Future of Capitalism by Muhammad Yurus, with Karl Weber; Public Affairs, 282pp, $14.95
"This has been the message for the past twenty-six years of Muhammad Yurus, the Bangladesh economics professor, Nobel Prize winner, and recent recipient of the United States Medal of Freedom, who founded the Grameen Bank. Gramir pioneered the concept of micrcredit, the granting of small loans to people who otherwise would have no access to money to run a business. These, historically, have been the poorest of the poor; in Bangladesh, Grameen now even loans money to street beggars."
-------Sue Halpern, a scholar in residence at Middlebury. Her most recent book is "Can't Remember What I Forgot: The Good News from the Front Lines of Memory Research."
Race, Incarceration, and American Values by Glenn C. Loury, with Pamela S. Karlan, Temmie Shelby, and Loic Wacquant; Boston Review?MIT Press, 86pp, $14.95
"The most dramatic effects of this incarceration are concentrated on the most disadvantaged -- those who are not only African-Americans or Latino, but also poor, uneducated, and living in highly segregated ghettos. While roughly 60 percent of black high school dropouts have spent time in prison, only 5 percent of college-educated African-Americans have done so... The correlation of race and crime in the publics mind reinforces prejudice that affects every African-American."
-------David Cole, Professor of Law at Georgetown University Law Center.
Highlife Music in West Africa by Sonny Oti, Matthouse Press, Nigeria, 288pp
Dancing With Life: Tales from the Township by Christopher Mlalazi, Amabooks Publishers, Zimbabwe, 2009, 88pp
"Christopher Mlalazi may well be the most promising young writer in Zimbabwe today."
Pops: A Life of Louis Armstrong, by Terry Teachout, Houghton Mifflin Harcourt; 477pp, $30.00
"Armstrong's rise was not easy. He performed about 300 nights a year and lived out of a suitcase. In the early days, he bounced back and forth between Chicago and New York, endured Jim Crow humiliations during tours of the South and struggled to pursue music without getting overwhelmed by the details of running a jazzchestra. (Eventually, he turned the business side over to white managers.)
Still, after revolutionizing jazz of black 1920s, Armstrong was in the vanguard of black entertainers who crossed over to white mass culture, leading an integrated band, appearing in movies and becoming a regular first on radio and then on television."
-------Scott Martelle, an Irvine, California-based journalist and critic reports from New York for the Los Angeles Times Book Review
Tuesday, October 13, 2009
Chinua Achebe Still Got Game

The Education of a British-Protected Child: Essays
By Chinua Achebe
Alfred A. Knopf
208 pages. $24.95
Growing up and as youngsters dealing with academia at the secondary level, "we the boys" talked a whole lot about scholarship and applauded the works of our literary idols -- Chinua Achebe, John Munonye, Adiele Afigbo, Ngugi Wa Thiong'O, Wole Soyinka, Flora Nwapa, Agostinho Neto, Cyprien Ekwensi, Kofi Awoonor, Ali Mazrui, Meja Nwangi, Dominic Mulaisho, Elechi Amadi and uncountable others. We talked quite a bit as aspiring scholars to a point our mothers, whichever house we had convened would stuff our mouth with food to quiet us for the fact we talked too much on issues of the day as they did look forward to a developed youngish intellectuals. But time did fly, just like that.
And as a whole lot, too, has changed over the years based practically on generational thing that popped up with new era, anyone who thought Chinua Achebe was done writing his fascinating stories or had called it quits in using his pen to express his feelings about societal ills and "naked dictatorship" of colonialism, and at the same time educating our minds with his brilliant essays, storytelling and wit in literature, ought to stop by any bookstore and ask about the literary giant's newest entry on the bookshelves.
Or if you are too lazy to walk or drive to a good bookstore in your hood, just google "The Education of a British-Protected Child" and sample a few of the hundreds of thousands of entries found there on the subject matter. I was even baffled from what I saw wondering about a book just released in less than a week and how it has collected over six hundred and something thousand entries. And who are these people curious about Achebe's new book? Would it mean they have been waiting for his new release since he has not written a book in twenty years? Or would it be the master storyteller is back again and everybody is eager to check it out, known for who he is?
Well, I did stop by many of the bookstores in my neck of the wood upon hearing Achebe has written a new book which would be his first new book in twenty years. First, I had called Random House for a copy which was kind of late not knowing the protocol was something I should have taken care of earlier; that is, if I had intended to read the book. I'm quite sure I have gone through that before, with a different publishing house, though. In that quest,I had called Borders to find out if Achebe's book has arrived the shelves. The sales clerk at Borders, the one at Howard Hughes Center Promenade in Culver City, told me they've "sold out." She requested for an order immediately which would however take about a week to reach me. I had no nerves to wait. I called some other branches in the Southland. All that I called either sold out or haven't received shipment yet.
As it happened and coincidentally, I was heading to Long Beach when I bumped into Borders on Bellflower Blvd. I walked in and asked for Achebe's new entry. The sales clerk ran the author's name and found out they haven't received shipment yet. He placed a copy on hold for me. When the shipment arrived, I was called to "come and pick the book up."
And I did get the copy on time for early review. From the preface in which the author tells us about the fiftieth year anniversary of Things Fall Apart, the breaking news of his auto accident relayed to his wife, his family's reaction to that and sixteen well-written essays, Achebe literally wrote his memoirs in The Education of a British-Protected Child: Essays." Achebe talked about his two daughters, Chinelo and Nwando; and his two boys, Ikechukwu and Chidi who gave him all the support he needed when he was involved in an automobile accident that nearly cost him his life.
In the first essay, The Education of a British-Protected Child, Achebe did not find colonialism funny, especially the result of lack of profound leadership in Nigeria, and even assuring his readers that he would not give "a discourse on colonialism," he could not "swallow" the fact that colonialism was damaging to the African continent pointing out briefly the evils of colonial rule:
"In my view, it is gross crime for anyone to impose himself on another, to seize his land and his history, and then to compound this by making out that the victim is some kind of ward or minor requiring protection. It is too disingenous. Even the aggressor seems to know this, which is why he will sometimescomouflage his brigandage with such brazen hypocrisy."
Achebe was born in Ogidi 78-years ago in what use to be a Southern Protectorate of British Empire, and then Eastern Region, now Anambra State of a fabricated nation-state ordained by the colonists. His father, an early convert was a teacher for the missionaries. Receiving his early education at Church Missionary Society Primary School, he attended Government College, Umuahia, and then proceeded to University College, Ibadan, for his first degree. He became a writer rather than "a clear-cut scholar," supposedly his dream when Trinity College, Cambridge, declined his application for admission. Being turned down for post-graduate studies at Trinity College, he found work as a producer at Nigeria Broadcasting Corporation.
On What is Nigeria to me? Achebe spoke very ill of a country that was just six years old with the sudden eruption of chaos leading to the pogrom and civil war. He applauds the country as a child that is "gifted, enormously talented, prodigiously endowed, and incredibly wayward." Writing with emotion, his tale of experience in Lagos during the crisis when alcohol-addled soldiers' crackdown on Igbos and their properties coupled with a telephone call alerting him "armed soldiers" who had been on the rampage came looking for him and in his own words because of the book that he wrote, A Man of the People.
Achebe wrote with anger and distress [my emphasis], a war that was deliberately programmed to wipe out the Igbo people from the face of this planet in retaliation to where a group of young military officers organized themselves in what would be Nigeria's first military coup and a topple of its First Republic. And just like the counter coup, J.T.U Aguiyi-Ironsi and his host Adekunle Fajuyi were kidnapped, flogged and murdered in the most brutal of circumstances on the orders of Theophilus Yakubu Danjuma, while 4th Batallion commanding officer J Akahan kept himself busy rounding up Igbo millitary officers and killing them in an immense scale.
Or the six-year-old boy in Minna, at school and witnessing a band of northern nihilists and hoodlums walk into his classroom and stab his teacher with a machete, a native Yoruba who was mistaken for Igbo, bleeding from her wounds to death. That being emphasized by me, Achebe is totally disappointed with Nigeria not because of the hoodlums and nihilists but because of the federal government that stood by and allowed such horrific events to unfold.
Why the pogrom was going on in the north, Igbo people were also sought in Lagos by drunken "federal troops" who had launched a search and kill attack. Meanwhile, Achebe had whisked his wife and kids back to the East while he stayed-put to await the outcome of the carnage unleashed by the nihilists, hoodlums and "federal troops." In Lagos, Achebe hid from place to place until he luckily escaped the federal troops who had launched a manhunt for him. In that very situation, Achebe finds it difficult to forgive "Nigeria" for what it did to his kith and kin. The northerners and their collaborators had a masterplan since the revenge in the counter coup, allegedly, wasn't enough, and if the conflict had ended after the counter coup, Achebe had this to say:
If it had ended there, the matter might have been seen as a very tragic interlude in nation building, a horrendous tit for tat. But the northerners turned on Igbo civilians living in the north and unleashed waves of brutal massacres, which Colin Legum of 'The Observer' was the first to describe as a pogrom. It was estimated that thirty thousand civilian men, women and children died in these massacres. Igbos were fleeing in hundreds of thousands from all parts of Nigeria to their homeland in the east I was one of the last to flee from Lagos. I simply could not bring myself quickly enough to accept that I could no longer live in my nation's capital, although the facts clearly said so. One Sunday morning I was telephoned from Broadcasting House and informed that armed soldiers who appeared drunk had come looking for me to test which was stronger, my pen or their gun!
The offense of my pen was that it had written a novel called A man of the People, a bitter satire on political corruption in an African country that resembled Nigeria. I wanted the novel to be a denunciation of the kind of independence we were experiencing in postcolonial Nigeria and many other countries in the 1960s, and I intended to scare my countrymen into good behavior with a frightening cautionary tale. The best monster I could come up with was a military coup d'etat, which every sane Nigeria at the time knew was rather far-fetched!...
As one reads on, Achebe tells us about his travels to many African countries in which he acknowledged "the chief problem was racism." He did go on to tell us about Christopher Okigbo, Gabriel Okara, Elechi Amadi, Chukwuemeka Ike, I.N.C. Aniebo and Ken Saro-Wiwa who were all products of Government College, Umuahia, and what they read in those days at the school library -- Treasure Island, Tom Brown School Days, The Prisoner of Zender, David Copperfield -- which had nothing to do with African literature.
In Politics and Politicians of Language in African Literature, and as a founding editor of The African Writers Series, he told us about the gathering of African writers in 1962 at Makerere University , Kampala, Uganda, which included the poet Christopher Okigbo, Wole Soyinka, Ngugi, and Obi Wali he said "was himself a teacher of literature and a close friend of the poet Christopher Okigbo, might have been expected to lead the way along the lines of his prescription; but what he did was abandon his acdemic career for politics and business." Achebe was disappointed in Wali's move.
Achebe wrote extensively on African Literature as Restoration of Celebration, Teaching Things Fall Apart, Martin Luther King Jr. and The University and the Leadership Factor in Nigerian Politics.
The book, a reflection of events takes us aback to take a look at Africa's past which literally has been a tragedy. Nobel Laureate, Tony Morrison simply put it thus: "African literature is incomplete and unthinkable without the works of Chinua Achebe. For passion, intellect and crystalline prose, he is unsurpassed."
Without question, Chinua Achebe still got game.
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